The Sunlandic Twins＜Red & Orange Swirl Vinyl＞

Kevin Barnes seventh Of Montreal album continues in their traditional vein of toying and teasing our memories of 1960s pop, fed through whichever other fad or fashion most appeals to them at the time. In this instance, its 21st century A.D.D. electro-cinematic avant-disco, which is a deliciously protracted way of saying quirky rhythms, lush harmonics, and a warm spot on the same side of the bed that the Polyphonic Spree occasionally share. The most deceptive angle to the album probably has to do with the titles -- its unlikely whether the most obtuse mind could ever imagine tapping its toes to something called Wraith Pinned to the Mist (And Other Games), while Forecast Fascist Future simply shouldnt sound like a British Beach Boys, pebble-dashed with Ray Davies finest harmonic daydreams, and then piped into a nursery where the infant Frank Zappa lays sleeping. Elsewhere, Our Spring Is Sweet, Not Fleeting may be little more than a minute long, but you live through great swathes of Rosemarys Baby while its playing. To harp on about the obvious precedents that aging ears can pick out of Of Montreals sonic stew, however, is to overlook all that is so savagely entertaining about their music (plus, it makes them sound like a High Llamas tribute band, which is unfair as well). Rather, Sunlandic Twins is an album to leave playing while youre going about your daily business. Then see how quickly you discover its 13 tracks burrowing so deeply into your skull that its as though youd lived with its jerking, burbling, and never less than transcendental swirlings forever. ~ Dave Thompson

変幻自在の言葉とひねくれたメロディーが此岸と彼岸を行ったり来たり……。ミルフィーユのように折り重なるドリーミーなコーラスに包まれたら、もう〈あっち側〉から帰ってこれなくなるほど極めてサイケなピンク一色の夢世界。一体どんな脳ミソをしてやがるのか、いっぺん頭を開いて見てみたくなるほどのヤバさである。ますます孤高の存在へとなりつつある彼らの、最新作にして最高傑作がついに完成した!
bounce (C)冨田 明宏