Let The Bad Times Roll

90'sカリフォルニア・パンク・ロックを牽引したレジェンダリー・バンド、約9年ぶりとなる10作目!!
プレイ・ボタンを押せば数秒で蘇るオフスプリング・サウンド!
プロデューサーは前作同様、ボブ・ロックを起用!
アルバム・タイトル通り、これまでの先品のなかでも「最もカタルシス的」という内容。
コミュニケーションの重要性、感情コントロールの重要性、希望を持つことの重要性を表現したというダークなリリックも多い反面、サウンド的には初期のサウンドを彷彿とさせる傑作!!

Its no understatement that Let the Bad Times Roll, the Offsprings tenth album, had a bit of a difficult birth. The group started to record material for a sequel to Days Go By not long after its 2012 release, entering the studio with producer Bob Rock in 2013. Not long afterward, they parted ways with their longtime label of Columbia, a process that didnt go smoothly. The band managed to put out a single called Coming for You in 2015, but they didnt complete a full album until 2021, by far the longest period between the Offspring LPs. This backstory doesnt necessarily surface on the album itself. The glammy stomp Coming for You -- Gary Glitter by way of SoCal punk -- doesnt necessarily sound older than anything else on Let the Bad Times Roll, which doesnt mean to say the rest of the record sounds fresh. Mostly, Let the Bad Times Roll sounds like what it is: the work of middle-aged punk lifers who dont change their style, sound, or perspective. They might sing about different things -- witness the married-man lament We Never Have Sex Anymore, which also has just a hint of a Swingers swing to its rhythm -- but Dexter Holland and Noodles, the bands mainstays, retain a love of frenetic punk and loud guitars, elements that served them well back in the 1990s when they were delivered with a vigorous sneer. Here, the band sounds heavier and slightly thicker, qualities that certainly reflect the onset of age as much as lyrics where the group seems resigned to all the doom and gloom swirling around the culture at the dawn of the 2020s. All this means that Let the Bad Times Roll mirrors its time even if it doesnt sound a thing like it: its a record by and for disgruntled old guys who are too sharp to indulge in nostalgia yet still dont want to let the past go. ~ Stephen Thomas Erlewine

元メンバーであるグレッグKとの訴訟問題やコロナ禍もあって延期を重ね、実に9年ぶりとなった通算10作目。コンコード移籍というのも時代の変化を感じさせるが、引き続きボブ・ロックにプロデュースを委ねた明快な音作りは原点回帰を窺わせるものだ。2015年のシングル"Coming For You"からパワフルな表題曲まで数年に渡った制作の成果は、新ベーシストのトッド・モースも含む4人のシンプルでタイトな一体感に表れている。
bounce (C)大原かおり