Death from Above 1979s fourth full-length, 2021s Is 4 Lovers, is a sonically vibrant production that finds the Toronto duo further pushing their riff-heavy sound. Once again, the album features the combined talents of singer/drummer Jesse F. Keeler and guitarist Sebastien Grainger. While its still only the two of them on each track, theres a dynamically textured and widescreen aesthetic to the album that feels bigger and more robust than you might expect. Its an aesthetic that also speaks to how Keeler and Grainger have continued to transform and hone their sound in the years since their 2004 debut, Youre a Woman, Im a Machine. The opening Modern Guy kicks off with a hot pink drill-bit guitar arpeggio that gives way to a galloping glitter rock number, perfectly setting the tone for all that follows. The kinetic power-chord chug of One +One sounds impossibly like an Iggy and the Stooges song if it were produced by Giorgio Moroder. Equally evocative, the wild-eyed Totally Wiped Out is a raging art-punk anthem that straddles the line between Brian Eno and Bad Brains. While shoot-from-the-hips punk is the duos core vibe here, theyve matured over the years and explored softer sounds. Though somewhat tongue-in-cheek, Is 4 Lovers is no exception and features a number of lyrical moments, including the buoyant, 70s synth pop of Glass Homes and the piano-driven Love Letter, which brings to mind the Beatles-inspired work of the late singer/songwriter Emitt Rhodes. All of this makes Is 4 Lovers one of Death from Above 1979s most balanced and stylistically engaging albums. ~ Matt Collar
Rovi
カナダのキテレツな2人組。その最たる所以である楽器編成は、全曲を聴いてから知ったほうが驚きは大きいはず。4年ぶりとなる4枚目のアルバムは、ブラック・サバスなど70年代のメタルを彷彿とさせる流れが、突然80年代風のエレポップに変わって面食らっているのも束の間、メタルとエレポップが溶け合って終わるという予想外のエンディングに口もあんぐり。改めて、とことんキテレツな2人組だと再認識。
bounce (C)山口智男
タワーレコード(vol.449(2021年4月25日発行号)掲載)