Rose In The Dark

Cleo Sol was primed for commercial breakthrough around the turn of the 2010s. The West London native was heard on tracks by Tinie Tempah and DaVinChe and associated with the latter artists Dirty Canvas imprint. An appealing pop-R&B single in the neighborhood of Beyonce and Amerie was issued in 2012 on major-label Island, but Cleo decided to not release the parent album and withdrew from the industry. Five years later, she resurfaced beside new songwriting partner and producer Inflo. After a modest quantity of comparatively introspective and vintage-sounding material was quietly released in 2017 and 2018, Cleo and Inflo became the driving force behind Sault, who deposited two LPs by the time this one appeared in March 2020. Whereas Saults 5 and 7 explored a myriad of styles, Rose in the Dark favors dusty and intimate R&B with gospel roots, switched up on occasion with dub, bossa nova, and acoustic blues among other naturally integrated sounds. Virtually every instrument, from dubwise bass and electric piano to idiophone and harp, is played with sensitivity and purpose. These qualities are inherent in Cleos words and vocals, which for the most part nurture and guide -- addressing a lover and sometimes a baby girl -- and also self-reflect, unafraid of expressing insecurities and relating a tense moment of uncertainty. Theres also a softly-rocking ballad worthy of a blue light basement party, immediately followed by a tranquil testament to companionship, where Cleos voice -- supported by that of Inflo -- casts its strongest spell. The album through the penultimate I Love You is steady and generous enough, but once the sneaky-brilliant chorus of the closing Her Light makes the first pass, its greatness is crystal clear. What a payoff. ~ Andy Kellman