Rock/Pop
LPレコード

If You Can Believe Your Eyes And Ears (Standard Vinyl)

0.0

販売価格

¥
5,190
税込
ポイント15%還元

在庫状況 について

フォーマット LPレコード
発売日 2021年02月13日
国内/輸入 輸入
レーベルGeffen
構成数 1
パッケージ仕様 -
規格品番 0746167
SKU 602507461676

構成数 : 1枚
合計収録時間 : 00:34:06

  1. 1.[LPレコード]
    1. 1.
      Monday, Monday
    2. 2.
      Straight Shooter
    3. 3.
      Got a Feelin'
    4. 4.
      I Call Your Name
    5. 5.
      Do You Wanna Dance
    6. 6.
      Go Where You Wanna Go
    7. 7.
      California Dreamin'
    8. 8.
      Spanish Harlem
    9. 9.
      Somebody Groovy
    10. 10.
      Hey Girl
    11. 11.
      You Baby
    12. 12.
      The "In" Crowd

作品の情報

メイン
アーティスト: The Mamas & The Papas

オリジナル発売日:1966年

商品の紹介

1966年に発売されたThe Mamas & The Papasのデビュー作のLP
発売・販売元 提供資料(2021/01/22)

In the spring of 1966, If You Can Believe Your Eyes and Ears represented a genuinely new sound, as fresh to listeners as the songs on Meet the Beatles had seemed two years earlier. Released just as "California Dreaming" was ascending the charts by leaps and bounds, it was the product of months of rehearsal in the Virgin Islands and John Phillips' discovery of what one could do to build a polished recorded sound in the studio -- it embraced folk-rock, pop/rock, pop, and soul, and also reflected the kind of care that acts like the Beatles were putting into their records at the time. "Monday, Monday" and "California Dreamin'" are familiar enough to anyone who's ever listened to the radio, and "Go Where You Wanna Go" isn't far behind, in this version or the very similar rendition by the Fifth Dimension. But the rest is mighty compelling even to casual listeners, including the ethereal "Got a Feelin'," the rocking "Straight Shooter" and "Somebody Groovy," the jaunty, torch song-style version of "I Call Your Name," and the prettiest versions of "Do You Wanna Dance" and "Spanish Harlem" that anyone ever recorded. If the material here has a certain glow that the Mamas & the Papas' subsequent LPs lacked, that may be due in part to the extensive rehearsal and the exhilaration of their first experience in the studio, but also a result of the fact that it was recorded before the members' personal conflicts began interfering with their ability to work together. The work was all spontaneous and unforced here, as opposed to the emotional complications that had to be overcome before their next sessions. ~ Bruce Eder
Rovi

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