Zeichnungen Des Patienten O.T.

1STとは打って変わって内省的世界観を構築した83年リリース2ND!!ライヴでもお馴染みの人気曲"ARMENIA"も収録!!

オーストリアの芸術家の共同生活施設『芸術家の家』を代表するアウトサイダー・アートの巨匠にして精神異常者OSWALD TSCHIRTNER(オズワルド・チルトナー)をテーマにした1983年リリース2ND。パンキッシュな魅力も垣間見える1ST『KOLLAPS』とは打って変わってこちらは内省的で陰鬱な世界観が支配する作品。オープニングを飾る"VANADIUM-I-CHING"や、"ABFACKELN!"などの楽曲のクオリティも高く、コンセプチュアルでありながら粒ぞろいの内容。ライヴでもお馴染みの人気曲"ARMENIA"も収録。

Einsturzende Neubauten's second album, 1983's Zeichnungen des Patienten O.T. (Drawings of Patient O.T.), is less extreme than their 1981 debut, but it's still a challenging listen. The title comes from the drawings of Oswald Tschirtner, a Swiss mental patient whose work is prized by collectors of "outsider artists," and the comparison is apt. Einsturzende Neubauten's music has the same bizarre leaps of logic and random connections that one finds in that sort of visual or verbal art, although starting with this album, the music is just controlled and sculpted enough to reveal that yes, the group does know exactly what they're doing. Many of the pieces are more songlike than the group's earlier work, with actual melodies encoded in the banging and howling, and a couple tracks that could even be called almost pretty. "Armenia" is the highlight, based on an Eastern European folk song form and featuring some long, droning, sustained notes that are similar to what some European post-minimalist composers (Gavin Bryars, Michael Nyman, etc.) were doing around the same time. Zeichnungen des Patienten O.T. is the best balance between Einsturzende Neubauten's chaotic early work and the more refined albums to come, and is possibly their best work. ~ Stewart Mason