Bat Out Of Hell＜Clear Vinyl/完全生産限定盤＞

ミート・ローフ 1977年発売『Bat Out Of Hell』(邦題:地獄のロック・ライダー)のアナログ盤(クリア・ヴァイナル)

ストーニー&ミートローフというユニットでデビュー後、俳優としても活動していた彼のソロ第1弾。現在までに世界中で4,000万枚以上のセールスを記録し、その売り上げをいまだに伸ばし続けているモンスター・アルバム。奇才ジム・スタインマンが作詞/作曲を担当。トッド・ラングレンがプロデュースし、トッドのユートピアのメンバーも参加。「66%の誘惑」を始めドラマティックな楽曲を満載したロック・オペラの金字塔。

There is no other album like Bat Out of Hell, unless you want to count the sequel. This is Grand Guignol pop -- epic, gothic, operatic, and silly, and it's appealing because of all of this. Jim Steinman was a composer without peer, simply because nobody else wanted to make mini-epics like this. And there never could have been a singer more suited for his compositions than Meat Loaf, a singer partial to bombast, albeit shaded bombast. The compositions are staggeringly ridiculous, yet Meat Loaf finds the emotional core in each song, bringing true heartbreak to "Two out of Three Ain't Bad" and sly humor to "Paradise by the Dashboard Light." There's no discounting the production of Todd Rundgren, either, who gives Steinman's self-styled grandiosity a production that's staggeringly big but never overwhelming and always alluring. While the sentiments are deliberately adolescent and filled with jokes and exaggerated cliches, there's real (albeit silly) wit behind these compositions, not just in the lyrics but in the music, which is a savvy blend of oldies pastiche, show tunes, prog rock, Springsteen-esque narratives, and blistering hard rock (thereby sounding a bit like an extension of Rocky Horror Picture Show, which brought Meat Loaf to the national stage). It may be easy to dismiss this as ridiculous, but there's real style and craft here and its kitsch is intentional. It may elevate adolescent passion to operatic dimensions, and that's certainly silly, but it's hard not to marvel at the skill behind this grandly silly, irresistible album. ~ Stephen Thomas Erlewine