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ヒルデガルト・フォン・ビンゲン: 聖ヒルデガルト修道院の晩課

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フォーマット CD-R
発売日 2020年11月27日
国内/輸入 輸入
レーベルAlto
構成数 1
パッケージ仕様 -
規格品番 ALC1425
SKU 5055354414251

構成数 : 1枚

【曲目】
ヒルデガルト・フォン・ビンゲン (1098-1179) :
始めのヴェルスス - "Deus in Auditorium"
第1のアンティフォナ - "O aeterne Deus" と詩篇109/110
第2のアンティフォナ - "Spiritus Sanctus" と詩篇110/111
第3のアンティフォナ - "O magne Pater" と詩篇129/130
第4のアンティフォナ - "Caritas abundat" と詩篇130/131
レクツィオ: ヨハネの黙示録 21章 1-5節
レスポンソリウム - "O vis aeternitatis"
セクエンツィア - "O ignis Spiritus Paracliti"
マニフィカト・アンティフォナ "O quam mirabilis" とマニフィカト
終りの祈り - "Kyrie & Pater noster
セクエンツィア - "O praesul verae civitatis" (聖ディシボドに)
セクエンツィア - "O Ierusalem, aurea civitas" (聖ルペルトに)

【演奏】
アイビンゲン・聖ヒルデガルト修道院の修道女たち
ヨハネス・ベルヒマンス・ゲシュル (リーダー)
クリスティアーネ・ラート (歌唱教師)

【録音】
1997年、聖ヒルデガルト修道院、アイビンゲン、リューデスハイム、ドイツ

原盤 : Abtei Hildegard
初出 : Ars Musici

  1. 1.[CD-R]

作品の情報

商品の紹介

Regis' Hildegard von Bingen: Vespers from the Abbey features Hildegard's music performed on what could almost be considered an "original instrument," namely the choir that belongs to what is left of her own abbey. Hildegard was prioress of two abbeys, Rupertsberg and Eibingen, of which the former burned during the Thirty Years War and the latter wiped out by a lightning strike in 1889. The Hildegard Abbey was erected near the Eibingen site in 1904; it, too, burned in 1932, but was rebuilt in 1935 and stands as the requisite reliquary for Hildegard on this earth. This recording of the Benedictine Nuns of St. Hildegard Eibingen was made by the Freiburg Baroque Forum and originally released on the Ars Musici label under the title O vis aeternitatis. It arrives a little late to cash in on the Hildegard craze touched off in the early '90s by the writings of Creation Spirituality guru Matthew Fox. Although it is impossible to say that any recording of Hildegard accurately reflects the way her music was heard in the twelfth century, this is as close to the perceived tradition as one is likely to get. There is no fancy, sexy reverberation or hypnotic drones used here -- it's a straight-up performance of four of Hildegard's antiphons and two of her sequences given within the context of a typical Vespers service as sung by middle-aged German nuns. In a liturgical sense, this is a very complete service; it even includes the scripture reading from the first five verses of Chapter 21 of Revelation, as sung on a reciting tone. The singing is plain and undecorated, and the recording is almost of documentary quality, a little hiss and full of stray environmental sounds floating around the background. Chances are you won't notice them much, and while this is a very honest representation of Hildegard's music "as it really is," it may not sound much different from what you might hear at the convent nearest you. However, that is part of its charm.
Rovi

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