Just before ascending to rock & roll greatness in 1974 as the voice of AC/DC, Bon Scott spent four years singing with the multifaceted and ever-shifting Australian rock collective Fraternity. The band released two albums and a few singles between 1970 and 1974, starting out modeling themselves after the Band but quickly growing to incorporate flirtations with prog, rootsy blues-rock, and boogie into their sound. The group took on different forms and changed names after Scotts departure, and their under-circulated records quickly became record collector esoterica, being sought after to the point where they were bootlegged. Seasons of Change collects everything the band recorded, including 1971 debut Livestock, 1972s Flaming Galah, and an albums worth of unreleased material. Its been noted often that despite Scotts involvement, Fraternity was worlds removed from AC/DCs brawny hard rock. More striking than the recontextualization of Scotts iconic vocals in an unfamiliar setting is the ambitious stylistic range Fraternity showed from their earliest days. The title track from Livestock opens the collection with a shuffling rhythm and vocal harmonies borrowed directly from Crosby, Stills, Nash & Young. As the track listing goes on, theres gritty country-fried rock, Moody Blues-influenced prog, and songs like Jupiter Landscape and Cool Spot that sound informed by the exploration of Bay Area psychedelia. Fraternity sound like the Small Faces on one song and Santana on the next, and that eclecticism continues throughout Seasons of Change. Oddly, much of second album Flaming Galah reworks earlier songs that appeared in different versions on Livestock. The final third of Seasons of Change is comprised of unreleased material, much of which was recorded after both of the formally released studio albums. Like the rest of Fraternitys output, its a mixed bag of styles and experiments. Goofy blues ramble Hogwash finds Scott singing in a sly, conversational sing-speak, an early version of the winking, up-to-no-good narrator persona hed hone further on AC/DCs more mischievous tunes. ~ Fred Thomas
Rovi