ミニマルでドリーミーな衝撃のシンセ・アンビエント・アルバム! !

ローファイなドリーミーさが漂う四年ぶりの新作『FUTURE PAST LIFE』から短いスパンで放たれる新作は、ミニマルでドリーミーな衝撃のシンセ・アンビエント・アルバム! 長年に渡り追求してきたキャッチーでダンサブルなシンセ・ポップから一転、これまでのSTRFKRのアルバムとは一線を画す作品。

バンド・サウンドのコアであるシンセサイザーを抽出し、ハロルド・バッドやブライアン・イーノなどの巨匠からの影響色濃い貪欲な実験精神と遊び心を調和させた。アルバム・タイトルからイーノのアンビエント・シリーズへのオマージュを感じさせるが、それ以上に、STRFKRの音楽的オリジナリティーが滲み出た挑戦的な内容!

発売・販売元 提供資料 （2022/06/14）

Arriving four months after a collaborative fifth STRFKR album (April 2020s Future Past Life), Ambient 1 finds bandleader Josh Hodges going it solo during subsequent time spent in Joshua Tree with a friends Prophet-5 analog synthesizer. A fully instrumental, nearly 50-minute set, it includes murky atmospheric pieces as well as rhythmically and harmonically structured tracks, along with entries that fall somewhere in between. Landing, like much of the album, in the realm of an improvisatory etude, Rainzow starts things off with wistful arpeggiation alongside intermittent melodic lines and a left finger that marks what is probably best described as 3/8 time. Both sad and playful in tone, its followed for the next several tracks by likewise soft, pastel-colored timbres, with some falling in a buzzier organ range. The album sticks mostly with this limited if shifting tone palette before -- following the warped Anxiety midway through the track list -- darker voices and prominent percussion parts emerge. Concentrate, for instance, features a rhythmic hand-drum line throughout, underpinning impromptu-sounding tunes derived from raga scales. Also in the mix are sustained, stereo-panning pitches closer to feedback or signal noise. The brief Vergeten lingers in pipe-organ territory, while Zij Aan Zij delivers an outright ominous track in what also proves to be Ambient 1s most formless entry. The darker moments are greatly outnumbered by the sweeter -- or bittersweet -- however, though the harmonically structured closer, Sleep, ends things with an organ lament in a minor key. As for whether Ambient 1 will hold any interest for fans of STRFKR songs, Hodges knack for short melodic and rhythmic hooks does bleed through here, as does his fondness for partly cloudy climates. ~ Marcy Donelson

Rovi