Chega De Saudade

ジョアン・ジルベルトの4作39曲を収録したお買い得アルバム!

ボサノバのレジェンド、ジョアン・ジルベルトが1959年に発表したファーストアルバム「Chega De Saudade (想いあふれて)」を含む4作39曲を収録。
「コルコバード」「ディザフィナード」「フェリシダーヂ」等のヒット曲が楽しめるお買い得アルバム。

Joao Gilberto's debut LP, 1959's Chega de Saudade, was one of the most important bossa nova recordings, and credited by many as the album that, more than any other, launched bossa nova as a major popular music genre. The dozen songs add up to a surprisingly short playing time of about 23 minutes, but introduce several of bossa nova's most beloved trademarks: breezy, soothing melodies and vocals; tight arrangements with seamless blends of clipped guitar strokes and light orchestration, and, of course, the bossa nova rhythm. The most popular of these songs ("Chega de Saudade" and "Desafinado") had already been released as singles in 1958, but though they might be the most memorable tracks, the album maintains a consistently high standard (if a fairly similar mood throughout). [The 2010 U.K. CD reissue on El adds a lot of bonus material, starting with three 1959 Gilberto recordings used in the film Orfeo do Carnaval, among them another classic, "Manha de Carnaval." Also included are no less than eleven 1957-1959 Brazilian recordings by artists other than Gilberto that are tightly or loosely aligned with the early bossa nova movement Bola Sete and Walter Wanderley being the most well known of those. Gilberto was involved in most, but not all, of these as a songwriter or guitarist, and the rationale for their inclusion is not spelled out in the CD's annotation (which, for that matter, has only basic details about these non-Gilberto tracks). It's churlish to complain about abundant extra material on a reissue CD that does include everything from the album it's based upon, but the 12-page booklet had room for such information. Packaging criticism aside, those 11 tracks by performers other than Gilberto are enjoyable and show different slants on the early bossa nova sound, sometimes instrumental, sometimes with shades of exotica (on Wanderley's organ-dominated cuts), sometimes with women singers, and sometimes poppier in approach than Gilberto's own work. Three consecutive versions of Gilberto's "Ho-Ba-La-La" (one of the songs from Chega de Saudade) seem like a programming lapse, but Norma Bengell's vocal version of that song is a highlight, as is Alaide Costa's jazzy rendering of Gilberto's "Minha Saudade."' ~ Richie Unterberger

<ボサノヴァの神様>が59年にリリースした歴史的名盤であるデビュー・アルバムが、ついにオリジナル仕様でリイシュー！ボサノヴァの誕生が刻印された粋なスウィング＆ささやきヴォーカルは、50年経ったいまでも変わらず瑞々しい響きで、眩いばかりの輝きを放っています。当時のEPからのレア音源、ジョアン関連曲の他アーティストによる別ヴァージョンも追加された、音楽ファンならば<マスト・バイ>な一枚!!
bounce (C)ダイサク・ジョビン

長い間入手困難な状態が続いていたジョアン・ジルベルトのオデオン3部作、その中でも一番重要だといえる1作目が遂にリイシューされた。〈ボサ・ノヴァ・アルバム第1号〉と呼ばれる、まさに記念碑的な1枚。ここで聴けるジョアンの唱法とギターのリズムがブラジル音楽の歴史を変えた。ボーナス・トラックとして、ジョアンが映画『黒いオルフェ』で歌った3曲のレア・トラックと、他のアーティストによるジョアン関連曲11曲を収録。いつ廃盤になってもおかしくない（？）いわくつきのアイテムなので、ボサ・ノヴァ・ファンなら迷わず手に入れるべき。
intoxicate (C)篠原裕治