The fourth volume of Adrian Younge and Ali Shaheed Muhammads Jazz Is Dead series logically spotlights Brazilian jazz masters Azymuth after colleague Marcos Valles turn on JID003. At the same time, this convergence enables bassist Alex Malheiros, drummer Ivan Conti, and keyboardist Kiko Continentino to continue their every-few-years studio release schedule. Apocaliptico highlighted the series preview compilation Jazz Is Dead 001, and here its focal, a torrential groove that starts with a buzzing bass warning and increases in power until it abates quickly at the 9:30 mark. Although none of the other seven compositions -- all eight are credited to the trio and producers/arrangers Younge and Muhammad -- is as dark or dramatic as Apocaliptico, it forecast this sets tougher physicality in relation to Azymuths deep back catalog. Thats not to say its any less inviting. In a sneaky way, it also has the same subtly spirit-lifting effect as a lengthy conversation with a longtime friend. Malheiros, Conti, and Continentino sound at home in Younges Linear Labs workshop of vintage gear, no matter how many elements -- churning rhythm guitar, brass, reeds, additional percussion -- enhance their intuitive interaction. That shines through everything, whether its the gentler Sumare and Friendship Samba (the latter with a joyful skip that recalls the Light as a Feather gem Partido Alto), or more driving numbers such as Pulando Corda and Ao Redor Do Samba. Like Younge and Muhammads other sessions, this sounds familiar and fresh at once, in this case a happenstance 2020 approximation of a mid-70s Azymuth date if made in collaboration with Fonce and Larry Mizell (a la the Brazilian-flavored moments of Bobbi Humphreys Fancy Dancer, Roger Glenns Reachin, and Gary Bartzs Music Is My Sanctuary). Samba doido meets sky high. ~ Andy Kellman

Rovi