Purple Noon＜Colored Vinyl＞

After two albums that took the basic Washed Out template of gentle bedroom pop and expanded it in interesting ways, 2020s Purple Noon finds Ernest Greene back in familiar territory. There is none of the widescreen 90s-inspired shoegaze that made 2013s Paracosm a delight, or any of the cut-up hip hop-inspired samples that gave 2017s Mister Mellow some bounce. Instead, the album feels like a polished, sonically boosted follow-up to the first Washed Out album Within and Without. As on that record, the mood here is subdued, the instrumentation muted, and Greenes vocals hover on the edge of slumber as the songs roll into each other like connected dreams. Its an immersive listening experience with one mood -- melancholy -- thats explored over and over until the listener is enveloped in a wave of torpor as the synths swell and bubble, echoing vocal harmonies swirl, and the drum machines tap out rhythms like far-away SOS calls. Its easy to get lost in the gentleness of the mix and wake up 40 minutes after hitting play, slightly dazed and wondering where the time went. Its not a record built around songs, hooks, or tracks to be extracted and plopped in the middle of a playlist. Purple Noon is an old-school album, meant to be listened to in one sitting so the mood cant be broken. It may not be the kind of feeling someone would want to be in everyday, but when something quiet, sad, and a little cloudy is called for, this will certainly do the trick. That said, there are a few moments where melodies and subtle hooks threaten to make a deep impression. The almost peppy Too Late kicks the album off with stuttering rhythms, nicely fat-sounding synths, and a huge chorus where Greenes vocals almost cut through the murk, Paralyzed mixes a pretty, swaying melody with a nice late-night R&B feel, and Hide is a laid-back synth pop track that sounds like New Order after swallowing a bottle full of sleeping pills. Apart from these songs, the rest of the record mostly floats on vaguely disinterested clouds and by the end, its hard not to be disappointed that Greene has backtracked. After releasing a couple albums that showed the Washed Out sound could be altered in interesting ways, coming back with something thats textbook chillwave cant help but be a letdown, no matter how pretty and soothing it can be. ~ Tim Sendra

夏! チル! ウォッシュト・アウト!という人たちの期待に寄り添うようにサブ・ポップ復帰作となる通算4枚目のアルバムがリリース! ルネ・クレマンの映画からタイトルを引用し、地中海の海岸線にインスピレーションを受けたという今作はふたたびセルフプロデュースで制作。結果、繊細で大胆という矛盾を孕んだ深みのある作品が完成し、夕暮れの海を眺めているという情景が音楽になったら、を体現しきったように思う。
bounce (C)人與拓馬