ベートーヴェン:ヴァイオリン協奏曲

DGがベートーヴェン記念年に満を持してリリースするヴァイオリン協奏曲新録音は、天才ロザコヴィッチ!

2001年ストックホルム生まれ、6歳でヴァイオリンを始め、8歳で公式デビューし、国際的な活動を開始、2016年6月15歳でドイツ・グラモフォンと専属契約を結んだ天才ヴァイオリニスト、ロザコヴィッチのサード・アルバム。テクニックはもちろん、音楽性もすでに巨匠の風格を漂わせています。

共演は最後のカリスマ指揮者ゲルギエフと、彼が首席指揮者を務めるドイツの名門、ミュンヘン・フィル。

バッハの無伴奏ヴァイオリン・ソナタ第1番から第1楽章をカップリング。
ユニバーサル・ミュージック/IMS

Violinist Daniel Lozakovich, signed to the Deutsche Grammophon label at 15, was just 19 when this reading of Beethovens Violin Concerto in D major, Op. 61, appeared in 2020. He was certainly the prodigy of the moment, and the Beethoven concerto, with its deceptively simple themes, is a common place for prodigies to be tripped up. It doesnt happen here. With the help of the firm hand of Valery Gergiev, leading the Munich Philharmonic, Lozakovich offers a genuinely fresh reading of the Beethoven concerto. Its not so much in the first movement, although Lozakovich and Gergiev render the broad strokes of the music cleanly. Lozakovich plays the Fritz Kreisler cadenza, which nicely sets up the rhythmic freedom to come in the slow movement. Here, the young artist is exceptional, adding both rubato and rhythmic articulation to the usually flowing melody. The finale brings a logical conclusion to the rhythmic relaxation of the middle movement as Lozakovich takes the folkish theme at a quick clip and injects a high level of tension. It adds up to a Beethoven violin concerto thats exciting, logically put together, and in every way wise beyond its performers years. Lozakovich rings the curtain down with another unorthodox choice: a movement from one of Bachs unaccompanied sonatas for solo violin. This is something Kreisler himself might have admired, and Lozakovich is clearly one to watch.