Soul/Club/Rap
CDアルバム

Point Blank

0.0

販売価格

¥
2,519
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1998年11月11日
国内/輸入 輸入
レーベルConcrete
構成数 1
パッケージ仕様 -
規格品番 HARD34LPCD
SKU 743215744122

構成数 : 1枚
合計収録時間 : 01:11:36
The emergence of the "big beat" genre and the general tendency of electronic music toward rock fusion make more sense when considered in the light of rave culture's early roots. The whole thing started when Manchester promoters began to incorporate the sounds of Detroit techno and Chicago house music into the already thriving party scene presided over by psychedelic bands like Stone Roses and the Happy Mondays. Dub Pistols frontman Barry Ashworth has been part of the London branch of that movement (as a DJ, promoter and founding member of dance-rockers Deja Vu) since 1986, so it makes sense that this outfit would be at the forefront of the big beat renaissance.
Initially composed of Ashworth and fellow DJ Malcolm Wax, the group was expanded to include live guitar, bass and keyboards for POINT BLANK, which retains the tracks from their previous 12" releases. Dub Pistols also sidestep the #1 downfall of most brit-hop by foregoing cockney-style raps and employing an authentic New York emcee (TK Lawrence) on the vocal tracks ("Unique Freak," "Cyclone"). Otherwise, they stick to spare vocal snatches and ragga-inflected beats that fall somewhere between On-U Sound's pioneering industrial dub music and a more boisterous punk sound.

  1. 1.[CDアルバム]
    1. 1.
      Unique Freak

      アーティスト: Dub Pistols

    2. 2.
      Best Got Better

      アーティスト: Dub Pistols

    3. 3.
      Cyclone

      アーティスト: Dub Pistols

    4. 4.
      Ghetto

      アーティスト: Dub Pistols

    5. 5.
      Towerblock Trash

      アーティスト: Dub Pistols

    6. 6.
      Westway

      アーティスト: Dub Pistols

    7. 7.
      Keep Movin'

      アーティスト: Dub Pistols

    8. 8.
      Point Blank

      アーティスト: Dub Pistols

    9. 9.
      Blaze the Room

      アーティスト: Dub Pistols

    10. 10.
      Anarchy

      アーティスト: Dub Pistols

    11. 11.
      There's Gonna Be a Riot

      アーティスト: Dub Pistols

    12. 12.
      Kill the DJ
    13. 13.
      Cyclone

作品の情報

メイン
アーティスト: Dub Pistols

商品の紹介

CMJ - "...a broad palette of influences - from heavy dub and rock to hip-hop and Latin - that lends the tracks an indefinable style, while remaining easily decipherable and digestible..." CMJ (11/23/99, p.24) - "...a broad palette of influences - from heavy dub and rock to hip-hop and Latin - that lends the tracks an indefinable style, while remaining easily decipherable and digestible..."
Rovi

The emergence of the "big beat" genre and the general tendency of electronic music toward rock fusion make more sense when considered in the light of rave culture's early roots. The whole thing started when Manchester promoters began to incorporate the sounds of Detroit techno and Chicago house music into the already thriving party scene presided over by psychedelic bands like Stone Roses and the Happy Mondays. Dub Pistols frontman Barry Ashworth has been part of the London branch of that movement (as a DJ, promoter and founding member of dance-rockers Deja Vu) since 1986, so it makes sense that this outfit would be at the forefront of the big beat renaissance.
Initially composed of Ashworth and fellow DJ Malcolm Wax, the group was expanded to include live guitar, bass and keyboards for POINT BLANK, which retains the tracks from their previous 12" releases. Dub Pistols also sidestep the #1 downfall of most brit-hop by foregoing cockney-style raps and employing an authentic New York emcee (TK Lawrence) on the vocal tracks ("Unique Freak", "Cyclone"). Otherwise, they stick to spare vocal snatches and ragga-inflected beats that fall somewhere between On-U Sound's pioneering industrial dub music and a more boisterous punk sound.|
Rovi

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