Built To Spill Plays The Songs Of Daniel Johnston

In 2017, Built to Spill had the honor of serving as backing band for Daniel Johnston for two shows, and during rehearsals they decided to record a handful of their favorite songs to share with friends. The shows turned out well and a couple years later the trio of vocalist/guitarist Doug Martsch, bassist Jason Albertini, and drummer Steve Gere reconvened to work a little more on the songs to get them ready to be released. Ernest Jenning Recording Co. did the honors, and the finished product is a reverent tribute fitting to Johnston and of a piece with the groups best work. The tracks they chose to cover were mostly originally recorded by Johnston in the 90s, though some come from later efforts like the late-career power pop gem Is and Always Was. Every song is a brilliant example of Johnstons mix of shattering pathos and irresistible melodies; the band handle each one in low-key, almost relaxed style with slightly distorted guitars and a loose rhythm section backing Martschs wistful vocals. He nails the openhearted, almost painfully innocent nature of Johnstons songs without sounding like hes doing an impression. Hes able to deliver lyrics as simple as those on Honey I Sure Miss You or Tell Me Now with just the right amount of feeling, tackles humor-adjacent songs like the chugging Fake Records of Rock n Roll without winking, and displays the same kind of plainspoken, truehearted approach throughout that Johnston always did. To their credit, Built to Spill hang back and let the songs be the star; there are no long guitar solos and only Fake Records has any gritty guitar overload. The restraint and love that the band show and the overall peacefulness of the music make for a lovely, warm summer day kind of album, perfect for daydreaming and pondering the timeless genius of Daniel Johnston. ~ Tim Sendra

実は、あのウィーザーにも負けない人気を誇るダグ・マーシュ率いるUSインディーの秘宝バンド、5年ぶりの新作だ! しかも、鬼才シンガー・ソングライター、ダニエル・ジョンストンのトリビュート・カヴァーというんだから、何という組み合わせ! 純粋無垢がそのままメロディーになったような歌をノスタルジックなギター・ポップに見事、昇華している。ざっくりとしているようで音の重ね方は意外に繊細だ。
bounce (C)山口智男