Rock/Pop
CDアルバム

Twelfth

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フォーマット CDアルバム
発売日 2020年08月21日
国内/輸入 輸入
レーベルATO
構成数 1
パッケージ仕様 -
規格品番 0882412821
SKU 880882412821

構成数 : 1枚
合計収録時間 : 00:42:37

  1. 1.[CDアルバム]
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      アーティスト: Old 97's

    2. 2.
      This House Got Ghosts

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    3. 3.
      Turn Off The TV

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    4. 4.
      I Like You Better

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    5. 5.
      Happy Hour

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    6. 6.
      Belmont Hotel

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    7. 7.
      Confessional Boxing

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    8. 8.
      Diamonds On Neptune

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    9. 9.
      Our Year

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    10. 10.
      Bottle Rocket Baby

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    11. 11.
      Absence (What We've Got)

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    12. 12.
      Why Don't We Ever Say We're Sorry

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作品の情報

メイン
アーティスト: Old 97's

オリジナル発売日:2020年

商品の紹介

Rock & roll often has an unfortunate habit of locking musicians into an extended adolescence, not surprising in a medium where plenty of foolish behavior is not just acceptable but encouraged. Though the Old 97s were hardly known for their bad habits, the fact they were still singing songs about chasing women and getting drunk decades into their career suggested that at least creatively, they had a flexible attitude regarding maturity. However, in the late 2010s fate gave the bandmembers a few reminders that they werent as young as they once were. Drummer Philip Peeples had a brush with death following a skull fracture, guitarist Ken Bethea started experiencing numbness and loss of motor function in his hands that required spinal surgery, and lead singer and main songwriter Rhett Miller faced up to a drinking problem and gave up alcohol. (Bassist Murry Hammond managed to escape unscathed.) 2020s Twelfth, a fitting title for their 12th album, is the sound of a band who havent given up on the raucous mix of rock & roll and country accents that theyve made their own since their first LP arrived in 1994. Lyrically, though, this music often deals with facing up to responsibility and looking back at past mistakes with a new level of clarity. Vices make you hungry/And you never can get full, from Our Year, is a pithy rejoinder to the cheerful reprobate Miller impersonated on 2014s Most Messed Up, while The Dropouts is an uncharitable portrait of a man-childs lot in life, and the buzzy guitars and pitiless self-examination of Confessional Boxing is as candid as anything this band has ever recorded. (Even if Miller is pursuing a one-night stand on Diamonds on Neptune, he leaves no doubt it wont go well and that she wont speak well of him.) I Like You Better, meanwhile, is the testimony of a man who wants to be a better man for the woman he loves, and Why Dont We Ever Say Were Sorry, written and sung by Hammond, is a simple but powerful statement of whats gone wrong and what he needs to do right. Theres plenty of great, satisfying twangy rock on Twelfth, which is what weve come to expect from the Old 97s. Theres also a level of self-awareness and maturity thats new to them, and that makes Twelfth a brave and valuable release from this great band. ~ Mark Deming
Rovi

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