1972年発表作品。
オリジナル・アナログ・テープからのトランスファーと、アビー・ロード・スタジオのハーフ・スピード・マスタリングによるリマスターとカッティングを採用し、可能な限り最良のサウンドを実現。シングル「ダイスをころがせ」、「ハッピー」収録。
180g重量盤ブラック・ヴァイナル
見開きジャケット
発売・販売元 提供資料(2020/05/19)
Greeted with decidedly mixed reviews upon its original release, Exile on Main St. has become generally regarded as the Rolling Stones' finest album. Part of the reason why the record was initially greeted with hesitant reviews is that it takes a while to assimilate. A sprawling, weary double album encompassing rock & roll, blues, soul, and country, Exile doesn't try anything new on the surface, but the substance is new. Taking the bleakness that underpinned Let It Bleed and Sticky Fingers to an extreme, Exile is a weary record, and not just lyrically. Jagger's vocals are buried in the mix, and the music is a series of dark, dense jams, with Keith Richards and Mick Taylor spinning off incredible riffs and solos. And the songs continue the breakthroughs of their three previous albums. No longer does their country sound forced or kitschy -- it's lived-in and complex, just like the group's forays into soul and gospel. While the songs, including the masterpieces "Rocks Off," "Tumbling Dice," "Torn and Frayed," "Happy," "Let It Loose," and "Shine a Light," are all terrific, they blend together, with only certain lyrics and guitar lines emerging from the murk. It's the kind of record that's gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones' best records, but sets a remarkably high standard for all of hard rock. ~ Stephen Thomas Erlewine
Rovi
ストーンズ最高傑作!との声多し!と言うか、「ベーカーズ・バンケット」から「レット・イット~」「スティッキー・フィンガーズ」、そして本作までのAlbumはまじでどれも名盤!ルーツを掘り下げ、自分のものにする力量と、R&BバンドとしてのHipサが同居するサイコーの内容!(5)とかタマラン!! (C)DaKaRa
タワーレコード(2002/10/09)
ライブでは何度も演奏されているのに何故かベスト盤には収録されない「オール・ダウン・ザ・ライン」はミック・テイラーのスライドギターが必聴。
ロック、ブルース、カントリー、ゴスペルなど多彩なジャンルを自分達のスタイルに昇華してしまうセンスは流石。