The Who Sell Out (Super Deluxe Edition) ［5CD+7inch×2］＜限定盤＞

ザ・フーの3作目であり初のコンセプト・アルバムが、『マイ・ジェネレイション』、『トミー』、『四重人格』に続きスーパー・デラックス・エディション形態でリリース

1967年発表、ラジオ局や商品のジングルを織り交ぜたザ・フーのコンセプチュアルな3rdアルバムにして、ポップアートなセンスに溢れる名作。代表曲「恋のマジック・アイ」収録。

◆5CD+7インチ・アナログ盤2枚、未発表音源含む全112曲収録
◆80Pハードカバー・ブック(ピート・タウンゼントによるライナーノーツ、当時の関係者やメディアによるコメント、レア写真を掲載)
◆ポスター9枚、パンフやステッカーのレプリカ他を収納

Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn't quite driven to completion, breaking down around the middle of side two (on the original vinyl configuration). Nonetheless, on strictly musical merits, it's a terrific set of songs that ultimately stands as one of the group's greatest achievements. "I Can See for Miles" (a Top Ten hit) is the Who at their most thunderous; tinges of psychedelia add a rush to "Armenia City in the Sky" and "Relax"; "I Can't Reach You" finds Townshend beginning to stretch himself into quasi-spiritual territory; and "Tattoo" and the acoustic "Sunrise" show introspective, vulnerable sides to the singer/songwriter that had previously been hidden. "Rael" was another mini-opera, with musical motifs that reappeared in Tommy. The album is as perfect a balance between melodic mod pop and powerful instrumentation as the Who (or any other group) would achieve; psychedelic pop was never as jubilant, not to say funny (the fake commercials and jingles interspersed between the songs are a hoot). [Subsequent reissues added over half a dozen interesting outtakes from the time of the sessions, as well as unused commercials, the B-side "Someone's Coming," and an alternate version of "Mary Anne with the Shaky Hand."] ~ Richie Unterberger