Guitarist/filmmaker Sarah Lipstates work as Noveller evolved over the years from the slowly melting ambient drones of her earliest albums to increasingly complex instrumentals that moved with the intention and subtext of film soundtracks. Over the course of this evolution, Lipstates heavily processed solo guitar developed into a voice of its own, taking steps up on collaborations with Iggy Pop and Lee Ranaldo and reaching new compositional highs on her 2017 album A Pink Sunset for No One. Arrow continues that records expanded approach to composition and finds Lipstates filmic sounds at their most intense. The album was the first Noveller set since Lipstate relocated from her longtime home in Brooklyn to Los Angeles. Theres a sense of both discovery and disruption in these songs, reflecting the unknown factors of a cross-country move. The gentle Pre-fabled is trepidatious and cautious at first, Lipstates guitar processed to sound like a flute. The song flutters shyly for a moment before a rush of dramatic bass opens the arrangement up, giving the sense of an inevitable change and the liberation one feels giving oneself over fully to that change. Its the music for a scene in a movie where the protagonist summons their courage and makes a leap of faith. Novellers sounds grew more and more cinematic with each record, and Arrow revels in movie-ready tension and release more than any album before it. Effektology warps plinking guitar notes and waves of synth into interstellar sci-fi sounds, and Canyons moves between swells of dissonant noise and playful, happy melodies. The entire album feels at times like the lost soundtrack to a space exploration filmstrip, and in its weirder moments sounds like a psychedelic childrens show from the 70s with Lipstates buzzy guitar tones serenading dancing cartoon flowers. The effects-heavy guitar constructions of Arrow are the most emotionally intense Noveller material from Lipstate yet, making it easily one of her most expressive and fully formed statements to date. ~ Fred Thomas
Rovi