A Written Testimony

The term long-awaited gets thrown around freely when it comes to highly anticipated albums. In the case of rapper Jay Electronica, the concept of a long-awaited debut album was pushed to its outer limits, as he first emerged in the mid-2000s and watched his legacy grow substantially while only releasing a scant few tracks, guest appearances, and mixtape-level projects over a period that stretched for more than a decade. A Written Testimony comes bearing the weight of heightened expectations and delivers a modern classic, a new step forward in the evolution of hip-hop. Perhaps the first factor in the albums excellence are the uncredited contributions from rap icon Jay-Z on nine of the ten tracks. Theres a star-studded list of other contributors -- Travis Scott sings an auto-tuned hook on The Blinding, the-Dream shows up on two songs -- but the record is defined by the dynamic chemistry that bubbles up in the back-and-forth between Hova and Jay Electronicas winding flows. After growing up in New Orleans, Electronica moved around the States, absorbing the cultures and communal energies of Baltimore, Detroit, New York, and other spots and accepting the teachings of Elijah Muhammad along the way. A Written Testimony takes from the various phases of this journey, with the title of Ghost of Soulja Slim referencing the deceased New Orleans No Limit Records rapper, the spacious instrumentals recalling the minimal genius of Detroit producer J Dilla, and Nation of Islam ideology ornamenting every track. Big-name producers like Hit-Boy, No I.D., and AraabMuzik appear on some tracks, but by and large the beats are made by Electronica himself. The inventive drum-free jazz loop and crowd noises that make up the beat of Shiny Suit Theory make for a perfectly open backdrop for detailed performances, almost as if bass and drums would obscure the delivery. The atmospheric, meandering Ezekiels Wheel is mostly vocals, cloudy samples, and a motorik clicking sound for close to seven minutes, but every moment feels intentional and controlled. The entire album flows with this same deliberate construction. Electronica allegedly scrapped all the studio work hed been laboring on for years and made A Written Testimony in 40 days and 40 nights during a period of mystical inspiration. This can be heard in the balance between masterful architecture and spontaneous creation that the album hangs suspended in. There are moments throughout that recall Wu-Tangs rawness, the Notorious B.I.G.s cool, collected confidence, the abstract thinking of early Clipse, or Dillas spark of intuition and innovation. The rare achievement that makes the album work so well is that instead of attempting to re-create the heights of past master works, it pushes into new terrain. Jay-Z and Jay Electronica sound energized by each other, giving powerful performances at every turn. Bold production choices gel with this collaborative energy for an album thats inspired, driven, and sounds moved by the hand of unseen powers. ~ Fred Thomas

ジェイ・Zに才能を見初められて2010年にロック・ネイションと契約しながら、長きに渡って待たされていたジェイ・エレクトロニカのファースト・アルバムがついに到着。そのジェイ・Zがほぼ全曲で客演し、イントロに続く"Ghost Of Soulja Slim"で本作のファースト・スピットをするのもジェイ・Z、とそのご加護を最大限に受け、両ジェイによるコラボ作的な様相も呈しているものの、ジェイ・Zにも引けを取らぬ主役の圧倒的なオーラをヒシヒシと感じさせる。ルイス・ファラカン師のスピーチで幕を明け、イスラム教や神にまつわるワードが随所で散りばめられており、スウィズ・ビーツやエイラブミュージック、ジェイムズ・ブレイクら豪華制作陣と共に作り上げたサウンドも荘厳な雰囲気を漂わせている。
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