Womb

Purity Ring have been on the cutting edge of electronic pop for so long that they still sound fresh even though five years separate their second and third albums. Instead of giving listeners more of the candy-coated sounds and hooks of 2015s Another Eternity, on Womb they go deeper into their music and the emotions behind it. Aside from Stardew, which feels like a reprise of their previous albums confections, most of Womb is somber and searching. With its sepulchral pitch-shifted vocals and solemn synths, the standout Peacefall proves Megan James hasnt lost any of her ability to sound young, old, soothing, and ever so slightly scary at the same time even when she sings a lyric as simple as what am I missing? Here and on Vehemence and Silkspun, the darkness that has always shadowed Purity Rings music is as compelling as ever, and even more expressive. The duos music is also more sophisticated, particularly on I Like the Devil, a showcase for Colin Roddicks production chops that encompasses dense, propulsive darkwave and airy piano pop in a skillful ebb and flow. Given its name, its fitting that Womb finds Purity Ring focusing on the physicality thats been a major part of their music since Shrines. The poignancy of being confined to a body, and how emotions can bridge the gaps between people, makes for some of the albums brightest highlights. If I could, I would let you see through me, James coos on Rubyinsides, cocooned by glowing synths; on Sinew, her need for intimacy is underscored by a gut-punching low end. Show me your softer side, she demands on the equally tender and turbulent Pink Lightning, a clever extended metaphor for how time calms all storms, whether theyre meteorological or emotional. Wombs confidence and eloquence proves that a more grown-up Purity Ring still has plenty of sparkle and wonder -- and makes a fine way to round out Roddick and James first decade of making music together. ~ Heather Phares