Sun Racket＜限定盤＞

USオルタナティヴロックの先駆者、7年振りの新作。クリスティン・ハーシュ健在!
重要UKインディーレーベル「4AD」にUSバンドとして初めて契約し、'86年にデビュー後、USオルタナティブ・ロック・シーンで漆黒の輝きを放ち続けたThrowing Musesの7年振りとなる10作目。オルタナ道を追及するようなファズの効いた殺伐ギターサウンドが文句なくかっこ良い上に、クリスティン・ハーシュの甘く儚くやさぐれたボーカルが変わらず魅力的な傑作。
(C)吉祥寺店:狩野 卓永

In the years following Throwing Muses 2013 album Purgatory/Paradise, Kristin Hersh focused on the louder side of her music. On 50 Foot Waves 2016 EP Bath White and 2018s excellent solo album Possible Dust Clouds, she seemed determined to exorcise her troubles with sheer volume. Of course, her music is a force of nature no matter which project shes working with, and Sun Racket shows that the Muses still have plenty of noisy catharsis to offer as well. Where Purgatory/Paradise was huge in size, consisting of a sprawling mosaic of songs and a book, the bands first album in seven years is huge in sound, with a rolling, crashing heft that owes more than a little to Hershs work with 50 Foot Wave. It may be named Sun Racket, but water imagery abounds in its ebb and flow of surging rockers and ballads that draw in listeners like an undertow, and in how it channels the sudden ways life can change (its probably not a coincidence that Hershs 25-year marriage was ending as she made this album). The standout Dark Blue opens the albums floodgates with a reminder of how Hersh, Bernard Georges, and David Narcizo can submerge their listeners in big sonics and bigger emotions. Its a feeling thats echoed on Bo Diddley Bridge, a song inspired by the time Hersh fell asleep on the shore near the titular landmark, only to wake up swimming once the tide rolled in. Frosting is another stunner, flattening everything in its path while Hersh brings anguish to a lyric like your smiling smile as few others can. Her songwriting holds its own within Sun Rackets fray, in large part because her well-worn rasp of a voice is its own special effect. Hershs longstanding gift for surreal and evocative images endures on Bywater, which boasts a goldfish named Freddie Mercury, and on Kay Catherine, where secrets written in crayon and rosy rings add a childhood creepiness to its rickety sonics. On songs like these and the slow-burning Upstairs Dan, Throwing Muses power to mesmerize is as potent as ever. The sheer density of Sun Racket makes it something of a grower, but fans will be more than willing to take the time to let these songs sink into them. ~ Heather Phares