Toto＜完全生産限定盤＞

TOTO 1978年発売 『宇宙の騎士』(原題:TOTO)のアナログ盤 (最新リマスター盤)

デヴィッド・ペイチ、ジェフ・ポーカロ、スティーヴ・ルカサーら優秀なスタジオ・ミュージシャンが結集してつくられた画期的なバンド=TOTOのデビュー作。高度な演奏技術と幅広い音楽性、それをまとめる見事な構成力によって送り出された本作は、全米チャート9位を記録。シングル・カットされた「ホールド・ザ・ライン」はチャートの5位となるヒットとなった。初作にしてTOTOサウンドのすべてが凝縮されていると言っても過言ではない名盤。
今回発売されるアナログ盤は、2018年にTOTOのオンラインサイト限定で発売された豪華BOXセット『All In (Deluxe Box)』に収録されたアナログ盤と同様の最新リマスター音源を使用している。

It's as easy to see why radio listeners loved Toto as it is to see why critics hated them. Toto's rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. It all sounded great, but it also implied that music-making took craft rather than inspiration and that the musical barriers critics like to erect were arbitrary. Then, too, Toto's timing couldn't have been much worse. They rode in during the middle of punk/new wave with its D.I.Y. aesthetic, and their sheer competence was an affront. Of course, there's always been an alternate history of popular music not available to rock critics (it's written in record stores and concert halls and on the radio), and in that story, Toto was a smash. Singles like "I'll Supply the Love" and "Georgy Porgy" (featuring Cheryl Lynn) made the charts, and "Hold the Line" hit the Top Ten and went gold. The members of Toto had already influenced the course of '70s popular music by playing on half the albums that came out of L.A. All they were doing with this album was going public. ~ William Ruhlmann