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フォーマット CDアルバム
発売日 2020年03月11日
国内/輸入 輸入
レーベルOrange Mountain Music (OMM)
構成数 1
パッケージ仕様 -
規格品番 OMM0141
SKU 801837014129

構成数 : 1枚
合計収録時間 : 00:56:01

  1. 1.[CDアルバム]
    1. 1.
      King Lear~Overture
    2. 2.
      King Lear~These Late Eclipses
    3. 3.
      King Lear~Goneril's House
    4. 4.
      King Lear~Drinking Song
    5. 5.
      King Lear~Fools had ne'er less grace in a year
    6. 6.
      King Lear~So Be My Lord
    7. 7.
      King Lear~Let Me Not Be Mad
    8. 8.
      King Lear~Entr'Acte
    9. 9.
      King Lear~Approach thou Beacon
    10. 10.
      King Lear~I Heard Myself Proclaimed
    11. 11.
      King Lear~Winter's Not Gone Yet
    12. 12.
      King Lear~Rumbling Storm Part 1
    13. 13.
      King Lear~Rumbling Storm Part 2
    14. 14.
      King Lear~Omen of the Storm
    15. 15.
      King Lear~Lear and the Storm
    16. 16.
      King Lear~Storm Unleashes
    17. 17.
      King Lear~Avenge Gloucester's Eyes
    18. 18.
      King Lear~Rumbling Storm Reprise
    19. 19.
      King Lear~Remnants of the Storm
    20. 20.
      King Lear~Gloucester & Edmund
    21. 21.
      King Lear~Prayer in Storm
    22. 22.
      King Lear~Cordelia's Prayer
    23. 23.
      King Lear~Military Music Part 1
    24. 24.
      King Lear~Military Music Part 2
    25. 25.
      King Lear~Edgar's Mention of the Gods
    26. 26.
      King Lear~How Does My Royal Lord
    27. 27.
      King Lear~It Raineth Every Day
    28. 28.
      King Lear~Yet Better Thus
    29. 29.
      King Lear~Here is My Pledge
    30. 30.
      King Lear~Epilogue

作品の情報

商品の紹介

In 2019, Philip Glass composed incidental music for a Broadway production of Shakespeares King Lear, starring none other than Glenda Jackson in the title role. The music is for string quartet. His score has spawned an independent King Lear Overture (not the same as the two-minute Overture heard on this release), and now a recording of the entire work on the composers Orange Mountain Music label, with the various cuts put together into continuous music for his handpicked quartet. Glass is certainly to be commended for consistently broadening the stylistic range in his music, even into his 80s. This score mostly harks back to his earlier repetitive style, but there is a new wrinkle: the requirements of incidental music, with its shifting action on stage, precludes the use of Glass typically large-scale structures. He changes gears effectively with music that, though simple, evokes the action and characters of the play. Glass even tries his hand at a few Shakespeare songs, sung in a slightly punked-out style by Ruth Wilson as Cordelia. The only long-form piece is the penultimate Here Is My Pledge, beginning with that line by the Duke of Albany that begins the final terrible unraveling. Glass mood here is somber, and the music imparts a tragic calm to the carnage playing out on stage. Beautifully recorded, as usual, this is another strong work of Glass old age.
Rovi

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