Lamb of God

The New Wave of American Heavy Metal linchpins implement a worthy follow-up to 2015s cathartic Sturm und Drang, rising to meet the perceived heft of the late-career eponymous LP with a crispy ten-song set thats spilling over with caustic sonic riches. The first studio outing for Art Cruz (Winds of Plague, Prong), who replaced longtime drummer and co-founder Chris Adler in 2019, Lamb of God is consistent with the bands 2010s output, which is in turn mostly congruent with their early works as well, having set up base camp at the nexus of thrash and modern groove-metal at the onset. Still, the gravitas on display eight albums in is impressive, and while little may have changed in the way of sonic and stylistic proclivities, the same goes for the groups uncompromising attitude, which casts its sizable shadow less than a minute into the scorching opening track Memento Mori. That cut, along with the singles Checkmate, New Colossal Hate, and the kinetic Routes, the latter of which features a guest spot from Testament vocalist Chuck Billy, offered fans an early preview, and luckily, the quality of those works is reflected in the remaining six offerings as well. Despite the occasional foray into clean or spoken-word singing, Randy Blythe is locked into full-on beast-mode throughout, with the exception being the deeply groove-laden penultimate cut, Bloodshot Eyes, which simply put, cooks. Checkmate and Resurrection Man traffic in the same kind of commanding midtempo pugilism that made Sturm und Drang so potent, and dynamic closer On the Hook distills all of the groups inclinations into a powerful maelstrom of blastbeats, blazing riffage, and emotional discord. Lamb of God is a tense, yet confident album for taut and uncomfortable times. ~ James Christopher Monger

バーン・ザ・プリースト名義のハードコア・カヴァー作(必聴!)を経て、本名義では5年ぶりとなる8作目が完成。ドラマーにアート・クルーズを迎え、新たな5人体制で作り上げた本作においてもヘヴィネスかつグルーヴィーな音塊は健在。冒頭曲"Memento Mori"から物語性のあるメタルコアで惹き付け、その後も切っ先鋭いリフ、バネのごとき躍動感、豪快なランディ・ブライの野獣シャウトに身体が熱くなってくる。そう、セルフ・タイトルを冠しただけあって、その内容はまさにラム・オブ・ゴッドの真髄を叩き付ける剛腕ぶりだ。さらにジェイミー・ジャスタ(ヘイトブリード)、チャック・ビリー(テスタメント)をそれぞれゲストに迎えた楽曲もあり、特に後者はスラッシーな勢いにシビれる一曲となっている。
bounce (C)荒金良介