#Bieber2020、新しいジャスティンがそこにいる―。
世界が待っていたジャスティン・ビーバー5年ぶり5作目のオリジナル・アルバム!

僕は"変わった"んじゃない。今この瞬間も"変わって"いるんだ―。
前作『パーパス』から5年、多くの苦難を経験し、アーティストとして人間として、大きく成長したジャスティン・ビーバーが"現在進行形"で放つ待望のニュー・アルバム!

スクリレックス&ディプロと共演しグラミー賞を受賞したシングル「ホウェア・アー・ユー・ナウ」や、全米No.1ヒット「ホワット・ドゥ・ユー・ミーン?」「ソーリー」「ラヴ・ユアセルフ」を輩出した2015年4thアルバム『パーパス』から5年、遂にジャスティン・ビーバーが完全復活!数々の苦難を乗り越え、アーティストとして人間として、大きく成長したジャスティン・ビーバーが放つ待望のニュー・アルバムは、"現在進行形"のR&Bチューンを搭載した入魂の1作!

全米初登場2位、先行大ヒットシングル「ヤミー」収録!

発売・販売元 提供資料 （2020/01/28）

Much was made about this 2020 album marking Justin Biebers true return to music after the 2015 release of Purpose. The singer brought more attention to the matter when he announced during the interim that hed be taking a break, yet his high commercial standing remained between LPs -- a period of four years and three months, not exactly the five years cited in headlines -- as a featured artist on Top Ten hits by Luis Fonsi, DJ Khaled, David Guetta, Ed Sheeran, and Dan + Shay. Changes bares only a faint indication that it was made under the kind of commercial pressure applied to a delayed follow-up. In terms of style, song structure, and lyricism, its easily Biebers most focused album, all percolating R&B-pop and sparser guitar ballads that articulate the newlyweds feelings of attraction, affection, and devotion. Theres a key moment when Bieber works through some personal struggles (to which anyone can relate), but the singer otherwise is troubled by little more than occasional geographic distance and consequential impatience, content to embrace companionship and the prospect of spending the rest of his life with his partner. A sweet, awkward charm continues to run throughout the singers work. He invites his lover to get it in expeditiously, flatters her at the concession stand with Movies all around, but you look like the feature, and elsewhere beams Shout-out to your mom and dad for making you/Standin ovation, they did a great job raising you. He tends to keep it so clean and nonspecific -- his co-writers, along with co-stars such as Quavo, Travis Scott, and Post Malone, are all compliant as ever -- that he could have sung most of these songs a decade earlier. While Biebers voice still sounds like that of a mid- to late-teen, singing seems to come more naturally to him, and his falsetto pleas are neither bitter nor entitled, strictly genuine and adult. ~ Andy Kellman

Rovi