Skeletal Lamping＜Colored Vinyl/限定盤＞

During the closing moments of 2007s Hissing Fauna, Are You the Destroyer?, bandleader Kevin Barnes introduced an alter ego, a flamboyant singer by the name of Georgie Fruit. One year later, that character runs amok on Skeletal Lamping, having wrenched the spotlight away from Barnes sugary pop and trained it on an ambitious hybrid of glam rock, experimental R&B, and Scissor Sisters-styled sex-funk. Barnes sounds truly uninhibited under the Fruit guise, making declarations like "Im just a black she-male!" with flamboyant confidence. Such a shift in direction marks Of Montreals ascent into the psychedelic clouds where Ziggy Stardust once flew, only this time, the listener catches a ride on the back of a transgendered Prince fanatic whose songs are fragmented and confusing, yet still peppered with irresistible hooks. Like the albums cover art (an origami-influenced billfold whose flaps unfurl to form a giant floral display), Skeletal Lamping demands attention by being purposely puzzling. The music is extravagant and elaborate; each song is comprised of multiple vignettes, many of them completely different in style, and each track spills into the next. Its interesting to watch the pieces fit together -- to pinpoint the exact second where one song ends and another one begins. But whether or not you enjoy Skeletal Lamping depends on your tolerance for unchecked ambition and left-field experimentation, both of which are emphasized here. Of Montreal have rarely sounded so free, so unrestrained, but this is a love-it-or-lump-it album, a polarizing effort that -- depending on personal preference -- is either irresistibly attractive or overzealously pretentious. ~ Andrew Leahey

ジョージアが生んだUSインディー界のカリスマ、存在そのものがポップ・アート化しつつあるオブ・モントリオールの9作目。ジャケどおりお祭りムード溢れるカラフルな本作は、サイケ～ダンス～グラムの要素を自由に操り、曲構成は予測不能!　言うなれば、バンド史上もっともゴチャ混ぜなのだ。また、気難しい乙女心を表現しちゃうなど、歌詞の題材も幅広いの何のって!　ファンタスティックな音世界にいますぐあなたもGO!
bounce (C)小泉 いな子