Fans who discovered Incubus and their album Make Yourself through their massive radio hit "Drive" may be surprised that the band released a follow-up album so quickly. Yet the reality is that Make Yourself was a definitive sleeper hit, never peaking past the Top 50 of Billboard's album charts, but staying on those same charts for close to two years and in the process shifting over two million units. With each successive single that was released, the band gradually moved away from the nu-metal/Ozzfest crowd they had been initially lumped into and revealed the solid songwriting and talent for a good melody underneath the layers of surging guitars. The lessons learned from Make Yourself have definitely been applied to Morning View. While there is still a fair share of aggressive numbers ("Circles," " "Blood on the Ground," and " "Under My Umbrella" arguably the strongest of the harder tracks), the ratio of softer and mellower numbers have increased dramatically, to the point where hardcore fans of earlier material may be bewildered. For the most part, the transition works. "Mexico" is a sparsely arranged acoustic ballad that gives lead singer Brandon Boyd an opportunity to demonstrate his formidable vocal range. "Are You In" is an upbeat, funky tune reminiscent of Sugar Ray (and that's meant in a good way). The most offbeat track is the album closer, "Aqueous Transmission," a tranquil, exotic-sounding ballad that sees the band successfully experimenting with Middle Eastern string arrangements. Not all the experiments gel ("Echo"), and there is a tendency, especially in the middle third of the album, for the songs to sound too similar in sound and tempo, but on the whole, Morning View is a fine follow-up to Make Yourself and a natural progression in the band's musical evolution. While it may not appeal to fans of the harder material, music lovers who like their rock a little less aggressive and a little more ambitious and, well, sensitive should give Morning View a spin. ~ Deren Svendsen
Rovi
インキュバスが本作のレコーディングに選んだ場所、それがズマ・ビーチだ。海に大空、そして太陽ー自然のエネルギーを燦々と浴びたメンバーが、そりゃ悪いコンディションであるわけがない。かくしてロックの歴史の必須要素<バンド・マジック>は彼らの身にも起こったのだ。密閉されたスタジオではなく、マリブ・ビーチの近くにある小さなビーチで・・・・。潮風と心地良い静寂のなか、大豪邸を貸し切っておこなわれたアルバム制作。馬鹿騒ぎするわけでもなく、真摯なスタンスで己の音楽性と向き合った結果が、この圧倒的なグレイドの高さを生んでいる。5人の強固な一体感に加えて、電子音やストリングス、琴のようなものまで、適材適所な楽器のチョイスが隠し味。メロディーの魔力を再確認させてくれる歌声も心に響く。進化を続ける独自の西海岸サウンド、もはやへヴィー・ロックという色眼鏡は必要ないだろう。
bounce (C)トリプル永地
タワーレコード(2001年11月号掲載 (P81))