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Land of 1000 Dances: The Complete Rampart Recordings [4CD+BOOK]

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フォーマット CDアルバム
発売日 2019年11月29日
国内/輸入 輸入
レーベルMinky Records
構成数 5
パッケージ仕様 -
規格品番 MINK10012
SKU 824247025325

構成数 : 5枚
合計収録時間 : 03:49:16

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作品の情報

メイン
アーティスト: Cannibal & The Headhunters

商品の紹介

For the better part of three decades, Rampart Records was a Los Angeles institution, shaping the sound and style of the Eastside. Eddie Davis founded the label in 1961 and four years later, they scored their one national smash when Cannibal & the Headhunters took their pounding cover of Chris Kenners Land of 1000 Dances into the Billboard Top 40. The hit helped define the label -- indeed, it provides the title to this four-disc box, released in 2019 when the label celebrated its 58th Anniversary -- but it only hinted at what Davis achieved with this imprint. With Rampart, the recordman helped create a space for Mexican-Americans in rock & roll, R&B, soul, and funk, an evolution thats effectively traced over the course of these four CDs. Land of 1000 Dances: The Rampart Records 58th Anniversary Complete Singles Collection opens with the dreamy sway of doo wop by Phil & Harv and closes with DiDi Scorzos dual-language quiet storm readings of Richard Marxs Right Here Waiting. In between those two ballads lie a lot of livelier sides, ranging from garagey R&B ravers, trashy teenbeat instrumentals (the Atlantics Beaver Shot), and a bunch of funk and disco. Most of this isnt especially well-known outside of the East Side of L.A. or collectors circuits -- an exception to the rule, the wildly cinematic funk of the Village Callers Hector, is only known because it was on the soundtrack to Quentin Tarantinos Once Upon a Time in Hollywood the same year this set came out -- but the great thing about this box is how it explains a sound and attitude that belong to a very specific time and place. Davis didn’t steer Rampart out of the East Side but the high-octane dance music here demonstrates a generosity of spirit, a wild sense of humor, and an eagerness to satisfy. These instincts could lead the musicians and Rampart into corny territory, particularly during the disco era, but that willingness to be simultaneously silly and sexy remains equally ingratiating and invigorating. Plus, the fact that Rampart released singles that targeted the trends of the times as much as it influenced them helps make this a useful historical document in addition to being a good party: there are few better places to trace the evolution of Los Angeles R&B and soul during the 60s and 70s than this box. ~ Stephen Thomas Erlewine
Rovi

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