Two albums in 13 years is hardly the mark of a high-functioning punk rock unit, but Desaparecidos is a Conor Oberst joint. The prolific Nebraskan hasn't exactly been resting on his laurels, with nearly a dozen full-length outings seeing the light of day (under his own name, Bright Eyes, Monsters of Folk, etc.) since the release of the band's 2002 debut, Read Music/Speak Spanish. After reuniting for a series of shows in 2012, Desaparecidos issued a quartet of singles, all of which make an appearance on the spectacular Payola, a nervy collection of retro socio-political punk rock anthems shot through with enough pure '70s power pop acumen to ignite every lighter in the Nippon Budokan. Louder and more focused than its predecessor, though no less raw and impacting, Payola houses a laundry list of grievances, from the 1% vs. the occupy movement ("Left Is Right") and Arizona anti-immigration advocate and Maricopa County sheriff Joe Arpaio ("MariKKKopa"), to senseless mall shootings ("Von Maur Massacre) and white collar crime ("Golden Parachutes"). The latter cut is one of three to feature a guest spot (Brooklyn punk rockers the So So Glos and Cursive's Tim Kasher join the non-pity party on "Slacktivist" and "City on the Hill," respectively), and it serves up one of the album's strongest melodic moments, with a fevered Oberst sharing the mike with Against Me! frontwoman Laura Jane Grace and the band tearing it up "White Riot"-era Clash style. Politically charged punk rock can be an exhausting and overtly self-righteous affair in the wrong hands, but Oberst and company temper their outrage with unadulterated melodic might, resulting in that rare protest album that rewards both the condemners and the condemned. ~ James Christopher Monger
Rovi
ソロ作品での円熟とは裏腹に、身体の奥ではパンク魂が疼いていたってわけか。2014年発表の『Upside Down Mountain』(傑作!)も記憶に新しいコナー・オバーストが、今度は地元オマハの仲間とハタチそこそこで結成したエモコア5人組、デサパレシドスを率いて新作を届けてくれた。同バンドとしては実に13年ぶりのアルバムとなる。歪んだり軋んだりしながら爆裂する演奏とコナーの叫ぶような歌声に、終始気持ちは上がりっぱなし。ひとりの時は人生の機微を皮肉交じりに歌っていた彼も、ここではアリゾナの移民差別などトピカルなテーマを掲げて力強いメッセージを投げ掛けている。青春はまだ終わっていないようだ。同郷の兄貴分、カーシヴのティム・ケイシャーもレコーディングに参加。
bounce (C)山口智男
タワーレコード(vol.381(2015年7月25日発行号)掲載)