Kamaal Williams DJ-Kicks mix is intended as a tribute to Londons underground music scene and culture, spanning house, broken beat, jazz-funk, and many other styles. The mix mirrors the selections one might hear on El Primo, the monthly NTS Radio program the artist hosts under his birth name, Henry Wu. As a listening experience, the mix is filled with abrupt switches, change-ups, dissolves, and vibe-out moments, seemingly approximating a night spent trying to visit every club in South London for a few minutes each. It also highlights the artists skill as both a musician and cratedigger, dropping in several of his own creations (as both Williams and Wu) among dozens of records dating back to the early 1980s. Early on, he includes a live recording of his track Snitches Brew, released as the B-side of a 2018 single, which flips from a meditative groove to an up-tempo breakbeat wig-out filled with loads of fiery soloing. From there, we hear oddities such as Space Invaders, a stripped-down Afrofuturist electro track by Lord Tusk, and Buggin Out, a mind-blowing piece of hyperactive drumnbass by Seiji. The longest stretch with a consistent rhythm occurs in the middle of the mix, when he blends house tracks by Wbeeza, Awanto 3, and Lone (the absolutely ecstatic Airglow Fires) along with his own productions. Williams brings back more of the jazz with Tenderlonious flute-heavy Song for My Father, takes a breather with his own Shinjuku, dips into the broken beat scene for a bit, then ends everything with Strings, an extensive jam filled with rubbery bass, wobbly synths, and uplifting sax. The mix superbly demonstrates how the contemporary jazz scene and club culture have cross-pollinated and influenced each other. ~ Paul Simpson
Rovi
ソロ名義のほか、ユセフ・デイズとのユセフ・カマールでも知られるロンドン新世代ジャズ・シーンの立役者がなんと人気ミックス・シリーズに登場。ディーゴやフィル・アッシャー、カリーム・リギンズ、ディグス・デュークら、クレジットを列挙するだけでは展開が想像できないブロークンビーツを大胆かつ流麗に繋ぎ、自身のビートメイカーとしての別名義ヘンリー・ウー曲も飛び出す様は圧巻。
bounce (C)藤堂てるいえ
タワーレコード(vol.434(2019年12月25日発行号)掲載)