こちらは1970年7月発表、全米1位アルバムの『ウィリー・アンド・ザ・プアボーイズ』も1/2スピード・リマスター、180g重量盤LP。
ロンドン、アビイ・ロード・スタジオのMiles Showellによる1/2スピード・リマスター、オリジナル・レプリカ・ジャケ仕様。
発売・販売元 提供資料(2019/10/18)
Make no mistake, Willy & the Poor Boys is a fun record, perhaps the breeziest album CCR ever made. Apart from the eerie minor-key closer "Effigy" (one of John Fogerty's most haunting numbers), there is little of the doom that colored Green River. Fogerty's rage remains, blazing to the forefront on "Fortunate Son," a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, which is one of the reasons that it hasn't aged where its peers have. Also, there's that unbridled vocal from Fogerty and the ferocious playing on CCR, which both sound fresh as they did upon release. "Fortunate Son" is one of the greatest, hardest rock & rollers ever cut, so it might seem to be out of step with an album that is pretty laid-back and friendly, but there's that elemental joy that by late '69 was one of CCR's main trademarks. That joy runs throughout the album, from the gleeful single "Down on the Corner" and the lazy jugband blues of "Poorboy Shuffle" through the great slow blues jam "Feelin' Blue" to the great rockabilly spiritual "Don't Look Now," one of Fogerty's overlooked gems. The covers don't feel like throwaways, either, since both "Cotton Fields" and "The Midnight Special" have been overhauled to feel like genuine CCR songs. It all adds up to one of the greatest pure rock & roll records ever cut. ~ Stephen Thomas Erlewine
Rovi
バウンドディなソウルナンバー1、ゴキゲンな8ビートR&R2、レッドベリー3、8、初期エルヴィス的7など米南部ルーツ音楽の取り込みは今まで通りながら、表現に幅と厚みが加わった。1コードのR&B5も力で押さず、ツボを心得たギターとコーラスで長尺聴かせるのが天晴れ。ベトナム戦争批判のパワフルなジャンプ6、ジミヘン「Hey Joe」似の長尺10が余韻を残す。