ザ・バンド最高傑作との呼び声も高いセルフ・タイトルのセカンド・アルバムが、発売50周年を記念した2CDデラックス・エディションで登場！
アルバム本編は、ボブ・クリアマウンテンによる2019年最新ステレオ・ミックスで収録。ディスク1に追加されるボーナスの6曲は、すべて初登場となる貴重なトラック。
CDディスク2には、1969年8月17日に行われた伝説のウッドストック・フェスティヴァルでのステージを初めてフル収録。さらに2000年のリイシュー版に収録されていたボーナス・トラック7曲も追加。

発売・販売元 提供資料 （2019/10/01）

The Bands first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the groups second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in King Harvest (Has Surely Come) and the retired sailor in Rockin Chair to, most famously, the Confederate Civil War observer Virgil Cane in The Night They Drove Old Dixie Down. The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including Whispering Pines and When You Awake (both co-written by Richard Manuel), with rollicking up-tempo numbers like Rag Mama Rag and Up on Cripple Creek (both sung by Levon Helm and released as singles, with Up on Cripple Creek making the Top 40). As had been true of the first album, it was The Bands sound that stood out the most, from Helms (and occasionally Manuels) propulsive drumming to Robertsons distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor. ~ William Ruhlmann

Rovi