The Legendary Prestige Quintet Sessions

マイルス・デイヴィス・クインテットのプレスティッジの伝説のセッション『マイルス』『クッキン』『リラクシン』『ワーキン』『スティーミン』『マイルス・デイヴィス・アンド・ザ・モダン・ジャズ・ジャイアンツ』が6枚組180g重量盤LPボックスでリリース。
20ページのブックレットが封入。1枚のLPはTVのパフォーマンスとラジオでのパフォーマンス音源を収録。
プレスは、Record Technology Inc.
カヴァーになっているのはマイルスの画いた絵「New York by Night」。
CDでは2006年にすでに発売。

What you get on Legendary Prestige Quintet Sessions is a rather unwieldy four-disc box set containing the complete recordings of the Miles Davis Quintet with Red Garland, Paul Chambers, John Coltrane, and Philly Joe Jones recorded for Prestige, and remastered and repackaged according to chronology rather than release dates, from the albums Miles, Workin', Relaxin', Steamin', Miles Davis & the Modern Jazz Giants, and Cookin'. The fourth disc contains radio and television appearances that have never been released before. The first four tracks are from The Tonight Show in 1955, with Steve Allen giving two different spoken intros that are fine to hear once, but a drag after that (and one wonders what Miles must have thought of them), and two quintet performances follow: "Max Is Making Wax (Chance It)" by Oscar Pettiford and the standard "It Never Entered My Mind." The six cuts are from different live shows, from radio broadcasts of live gigs at the Blue Note in Philadelphia in 1956 and the Cafe Bohemia in New York in 1958. There are two performances of "Walkin," one each of "Four," "Bye Bye Blackbird," and Dizzy Gillespie's "Two Bass Hit." In addition, the second portion of disc four is enhanced and contains Miles' solo transcriptions, which are suitable for printing, two of "Tune Up" (the original version and one from the Blue Note gig), and "Four" (both the original studio version and one from Cafe Bohemia). There is also a transcription of the solo played during "Max Is Making Wax (Chance It)" from The Tonight Show. There is a booklet with a solid essay by Bob Blumenthal and it's full of groovy black-and-white photos. Miles freaks -- and trumpet players, perhaps -- will have to have this. But really, this is material designed to get you to buy the original recordings over again -- unless you're an an audiophile, it's rather difficult to discern the upgraded quality of sound, and seems rather pointless. The high marks are for the music, not the box set itself. ~ Thom Jurek