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Rock/Pop
CDアルバム

Conductors Of Noise＜限定盤＞

0.0

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366pt

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フォーマット CDアルバム
発売日 2019年10月31日
国内/輸入 輸入
レーベルDissonance
構成数 1
パッケージ仕様 デジパック
規格品番 DISS0145CDD
SKU 803343198812

構成数 : 1枚
合計収録時間 : 00:40:17
The fact that Atomkraft's third and final release was a six-song mini-album spoke volumes about the band's state of mind during its recording, having recently welcomed back founding member and chief songwriter Tony Dolan in what was probably a desperate bid to reignite their dwindling career prospects. Sadly, there was little he could do at this stage -- even if the songs he helped pen for 1987's Conductors of Noise did much to bring Atomkraft up to speed with the then prevalent developments in Americanized thrash. Gone were the distinctly Brit-flavored, post-N.W.O.B.H.M. hallmarks typical of the band's salad days, replaced by a far more potent and hyperactive stripe of moshing exemplified in new cuts like "Requiem," "The Cage," and "Vision of Belshazzar" -- all of which at long last recalled Bay Area acts like Exodus and Forbidden instead of Raven or Venom. Alas, the timely improvements arrived too late, and ironically didn't sit very well with Atomkraft's predominantly British fan contingent, only precipitating the now inevitable path toward their demise. ~ Eduardo Rivadavia

  1. 1.[CDアルバム]
    1. 1.
      Requiem

      アーティスト： Atomkraft

    2. 2.
      Foliage

      アーティスト： Atomkraft

    3. 3.
      The Cage

      アーティスト： Atomkraft

    4. 4.
      The Vision Of Belshazzar

      アーティスト： Atomkraft

    5. 5.
      Teutonic Pain

      アーティスト： Atomkraft

    6. 6.
      Rich Bitch

      アーティスト： Atomkraft

    7. 7.
      Demolition Boys(ボーナストラック)

      アーティスト： Atomkraft

    8. 8.
      Total Metal (live at Hammersmith Odeon 1987)(ボーナストラック)

      アーティスト： Atomkraft

    9. 9.
      This Vision Of Behshazzar (live at Hammersmith Odeon 1987)(ボーナストラック)

      アーティスト： Atomkraft

    10. 10.
      Foliage (live at Hammersmith Odeon 1987)(ボーナストラック)

      アーティスト： Atomkraft

    11. 11.
      Demolition (live at Hammersmith Odeon 1987)(ボーナストラック)

      アーティスト： Atomkraft

作品の情報

メイン
アーティスト： Atomkraft

オリジナル発売日：1987年

商品の紹介

The fact that Atomkraft's third and final release was a six-song mini-album spoke volumes about the band's state of mind during its recording, having recently welcomed back founding member and chief songwriter Tony Dolan in what was probably a desperate bid to reignite their dwindling career prospects. Sadly, there was little he could do at this stage -- even if the songs he helped pen for 1987's Conductors of Noise did much to bring Atomkraft up to speed with the then prevalent developments in Americanized thrash. Gone were the distinctly Brit-flavored, post-N.W.O.B.H.M. hallmarks typical of the band's salad days, replaced by a far more potent and hyperactive stripe of moshing exemplified in new cuts like "Requiem," "The Cage," and "Vision of Belshazzar" -- all of which at long last recalled Bay Area acts like Exodus and Forbidden instead of Raven or Venom. Alas, the timely improvements arrived too late, and ironically didn't sit very well with Atomkraft's predominantly British fan contingent, only precipitating the now inevitable path toward their demise. ~ Eduardo Rivadavia|
Rovi

The fact that Atomkraft's third and final release was a six-song mini-album spoke volumes about the band's state of mind during its recording, having recently welcomed back founding member and chief songwriter Tony Dolan in what was probably a desperate bid to reignite their dwindling career prospects. Sadly, there was little he could do at this stage -- even if the songs he helped pen for 1987's Conductors of Noise did much to bring Atomkraft up to speed with the then prevalent developments in Americanized thrash. Gone were the distinctly Brit-flavored, post-N.W.O.B.H.M. hallmarks typical of the band's salad days, replaced by a far more potent and hyperactive stripe of moshing exemplified in new cuts like "Requiem," "The Cage," and "Vision of Belshazzar" -- all of which at long last recalled Bay Area acts like Exodus and Forbidden instead of Raven or Venom. Alas, the timely improvements arrived too late, and ironically didn't sit very well with Atomkraft's predominantly British fan contingent, only precipitating the now inevitable path toward their demise. ~ Eduardo Rivadavia
Rovi

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