Rock/Pop
LPレコード

From Elvis In Memphis<完全生産限定盤>

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フォーマット LPレコード
発売日 2019年10月11日
国内/輸入 輸入(ヨーロッパ盤)
レーベルMusic On Vinyl
構成数 1
パッケージ仕様 -
規格品番 MOVLP367Y
SKU 8719262011571

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Elvis Presley (vocals, guitar, piano); Reggie Young (guitar); John Hughey (steel guitar); The Memphis Horns (horns); Bobby Wood (piano); Bobby Emmons (organ); Ed Hollis (harmonica); Mike Leech, Tom Cogbill (bass); Gene Chrisman (drums); Mary Greene, Donna Thatcher, Susan Pilkington, Sonja Montgomery, Mildred Kirkham, Dolores Edgin, Joe Babcock, Hurschel Wiginton (background vocals). Recorded at American Studios, Memphis, Tennessee in January & February 1969. Includes liner notes by Peter Guralnick, Colin Escott. One month after Elvis' 1968 Comeback Special aired on national television, Presley made the most artistically successful recordings of his later career. In January and February of 1969, he held sessions at American Studios in Memphis. Presley was reportedly worried that his recording career was finished, that he had been displaced by newcomers such as the Beatles. Perhaps goaded on by this perception, Presley reached new heights during the American sessions. The material he chose was impassioned, gritty, and bluesy, the complete opposite of the movie songs he had sung for most of the previous decade. A slight case of laryngitis actually improved his performances, lending his voice an appropriate roughness. Many of the best recordings from these sessions appear on FROM ELVIS IN MEMPHIS, including the hit "In the Ghetto." FROM ELVIS IN MEMPHIS demonstrates how thoroughly Presley could remake a song to suit his talents, especially on the country standards "Long Black Limousine" and "I'll Hold You In My Heart," which he transforms into R&B screamers. This is intense, heartfelt, adult music, much like the blues Presley loved as a kid on Beale Street.

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Wearin' That Loved On Look

      アーティスト: Elvis Presley

    2. 2.
      Only The Strong Survive

      アーティスト: Elvis Presley

    3. 3.
      I'll Hold You In My Heart (Till I Can Hold You In My Arms)

      アーティスト: Elvis Presley

    4. 4.
      Long Black Limousine

      アーティスト: Elvis Presley

    5. 5.
      It Keeps Right On A-Hurtin'

      アーティスト: Elvis Presley

    6. 6.
      I'm Movin' On

      アーティスト: Elvis Presley

  2. 1.[LPレコード]

    【B面】

    1. 1.
      Power Of My Love

      アーティスト: Elvis Presley

    2. 2.
      Gentle On My Mind

      アーティスト: Elvis Presley

    3. 3.
      After Loving You

      アーティスト: Elvis Presley

    4. 4.
      True Love Travels On A Gravel Road

      アーティスト: Elvis Presley

    5. 5.
      Any Day Now

      アーティスト: Elvis Presley

    6. 6.
      In The Ghetto

      アーティスト: Elvis Presley

作品の情報

メイン
アーティスト: Elvis Presley

商品の紹介

エルヴィス・プレスリー 1969年発売『From Elvis In Memphis』発売50周年を記念したアナログ盤(イエロー・ヴァイナル)

1969年1~2月、地元メンフィスのアメリカン・サウンド・スタジオでレコーディングされた傑作アルバム『エルヴィス・イン・メンフィス』。エルヴィスの最も注目すべきレコーディング・セッションとしても有名。「In The Ghetto」を収録。
発売・販売元 提供資料(2019/09/06)

Rolling Stone (p.82) - 4.5 stars out of 5 -- "What makes these sessions remarkable: the newfound maturity and soulfulness in Elvis' vocals, and producer Chips Moman's warm, distinctly Southern musical backing." Rolling Stone (12/11/03, p.136) - Ranked #190 in Rolling Stone's "The 500 Greatest Albums Of All Time" Rolling Stone (8/2/01, p.66) - 5 stars out of 5 - "...The studio sine qua non of his late-Sixties comeback period: new as polyester yet old as leather, religiously involved yet flashy as neon, refined like pop yet savage like rock & roll..." Q (Magazine) (p.125) - 4 stars out of 5 -- "[T]he results were the closest he came to realising his all-embracing vision of American music." Record Collector (magazine) (p.91) - 4 stars out of 5 -- "[A] portrait of a mature, richer-voiced talent that had the relocated the ability to leave listeners awestruck."
Rovi

After a 14-year absence from Memphis, Elvis Presley returned to cut what was certainly his greatest album (or, at least, a tie effort with his RCA debut LP from early 1956). The fact that From Elvis in Memphis came out as well as it did is something of a surprise, in retrospect -- Presley had a backlog of songs he genuinely liked that he wanted to record and had heard some newer soul material that also attracted him, and none of it resembled the material that he'd been cutting since his last non-soundtrack album, six years earlier. And he'd just come off of the NBC television special which, although a lot of work, had led him to the realization that he could be as exciting and vital a performer in 1969 as he'd been a dozen years before. And for what was practically the last time, the singer cut his manager, Tom Parker, out of the equation, turning himself over to producer Chips Moman. The result was one of the greatest white soul albums (and one of the greatest soul albums) ever cut, with brief but considerable forays into country, pop, and blues as well. Presley sounds rejuvenated artistically throughout the dozen cuts off the original album, and he's supported by the best playing and backup singing of his entire recording history. ~ Bruce Eder
Rovi

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