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D.O.A. (The Third and Final Report of Throbbing Gristle)

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フォーマット CDアルバム
発売日 2019年09月06日
国内/輸入 輸入
レーベルMute
構成数 2
パッケージ仕様 -
規格品番 TGCD3
SKU 5400863014445

構成数 : 2枚
合計収録時間 : 00:00:00
Actually the group's second official full-length, D.o.A: The Third and Final Report of Throbbing Gristle is nearly as harsh and uncompromising as The Second Annual Report. While both albums are a mixture of live and studio material, D.o.A is much more stylistically varied -- rather than focusing on multiple versions of the same pieces (plus a 20-minute film score), each of the 13 tracks is distinct, ranging from captured conversations to thoroughly composed creations. The four band members each contribute a solo piece; Peter Christopherson's "Valley of the Shadow of Death" and Cosey Fanni Tutti's "Hometime" are both detached, atmospheric spoken word collages, while Genesis P-Orridge's "Weeping" is a sorrowful anti-love song. By sharp contrast, Chris Carter's "AB/7A" is a vibrant, chipper slice of futuristic instrumental synth pop, almost fit to soundtrack a Tomorrowland ride. TG's more accessible side was previewed with the single "United," which reached the U.K. Indie charts and remains one of their most celebrated moments. The song is listed third on D.o.A's track listing, but it perversely appears as a fast-forwarding tape of the track, lasting all of 16 seconds! One of the group's other calling cards, the gloriously unsettling "Hamburger Lady," makes its first appearance here. The song tells the gruesome tale of a burn victim kept alive via life support in a hospital, set to a slow, queasy rhythm and distorted echo effects. Elsewhere, the album displays flashes of TG's live energy, with P-Orridge caterwauling over the brief "Hit by a Rock" and "Blood on the Floor," and "Dead on Arrival" being a trippy, electrifying group jam. Typical of the band's morbid sense of humor, they also include a track consisting of death threats left on their answering machine. One of TG's grimmest, most disturbing records, D.o.A is easily one of their most compelling. [As with Industrial Records' 2011 double-CD reissue of D.o.A, Mute's 2019 edition appends a second CD of live material recorded throughout 1978, in addition to both sides of the band's second 7-inch single. "Five Knuckle Shuffle" is a hypnotic throbber, while "We Hate You (Little Girls)" is a brutal two minutes of hair-raising shrieks.] ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      I.B.M.
    2. 2.
      Hit By a Rock
    3. 3.
      United
    4. 4.
      Valley of the Shadow of the Death
    5. 5.
      Dead on Arrival
    6. 6.
      Weeping
    7. 7.
      Hamburger Lady
    8. 8.
      Hometime
    9. 9.
      AB/7A
    10. 10.
      E-Coli
    11. 11.
      Death Threats
    12. 12.
      Walls of Sound
    13. 13.
      Blood on the Floor
  2. 2.[CDアルバム]
    1. 1.
      Introduction [Live at the Crypt 1978]
    2. 2.
      It's Always the Way [Live at Goldsmith's College, London 1978]
    3. 3.
      Industrial Muszak [Live at the Crypt 1978]
    4. 4.
      Cabaret Voltaire [Live at IT College Wakefield 1978]
    5. 5.
      Hamburger Lady [Live at Goldsmith's College, London 1978]
    6. 6.
      I.B.M. [Live at Goldsmith's College, London 1978]
    7. 7.
      New After Cease to Exist Soundtrack [Live at LFMC 1978]
    8. 8.
      Whistling Song [Live at the Crypt 1978]
    9. 9.
      Mother Spunk [Live at IT College Wakefield 1978]
    10. 10.
      DoA [Live at Goldsmith's College, London 1978]
    11. 11.
      Five Knuckle Shuffle
    12. 12.
      We Hate You (Little Girls)

作品の情報

メイン
アーティスト: Throbbing Gristle

オリジナル発売日:1978年

商品の紹介

Uncut - 4 stars out of 5 -- "1978's fine DOA: THE THIRD AND FINAL REPORT reflects the world in strange and bold ways."
Rovi

Actually the group's second official full-length, D.o.A: The Third and Final Report of Throbbing Gristle is nearly as harsh and uncompromising as The Second Annual Report. While both albums are a mixture of live and studio material, D.o.A is much more stylistically varied -- rather than focusing on multiple versions of the same pieces (plus a 20-minute film score), each of the 13 tracks is distinct, ranging from captured conversations to thoroughly composed creations. The four band members each contribute a solo piece; Peter Christopherson's "Valley of the Shadow of Death" and Cosey Fanni Tutti's "Hometime" are both detached, atmospheric spoken word collages, while Genesis P-Orridge's "Weeping" is a sorrowful anti-love song. By sharp contrast, Chris Carter's "AB/7A" is a vibrant, chipper slice of futuristic instrumental synth pop, almost fit to soundtrack a Tomorrowland ride. TG's more accessible side was previewed with the single "United," which reached the U.K. Indie charts and remains one of their most celebrated moments. The song is listed third on D.o.A's track listing, but it perversely appears as a fast-forwarding tape of the track, lasting all of 16 seconds! One of the group's other calling cards, the gloriously unsettling "Hamburger Lady," makes its first appearance here. The song tells the gruesome tale of a burn victim kept alive via life support in a hospital, set to a slow, queasy rhythm and distorted echo effects. Elsewhere, the album displays flashes of TG's live energy, with P-Orridge caterwauling over the brief "Hit by a Rock" and "Blood on the Floor," and "Dead on Arrival" being a trippy, electrifying group jam. Typical of the band's morbid sense of humor, they also include a track consisting of death threats left on their answering machine. One of TG's grimmest, most disturbing records, D.o.A is easily one of their most compelling. [As with Industrial Records' 2011 double-CD reissue of D.o.A, Mute's 2019 edition appends a second CD of live material recorded throughout 1978, in addition to both sides of the band's second 7-inch single. "Five Knuckle Shuffle" is a hypnotic throbber, while "We Hate You (Little Girls)" is a brutal two minutes of hair-raising shrieks.] ~ Paul Simpson|
Rovi

Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise (before connecting to the internet sounded almost friendly), cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a grand alienating effect, the sound of a gray day in a British tower block after all the drugs have run out. Of course, this was the intended effect and the band succeed well enough. Weeping, Genesis P-Orridges version of a love ballad, loses itself among delayed strings and drones, a barely enunciated vocal, and a violin like a squeaky door. Hamburger Lady (about a burn victim) is even more repellent, but in a good way -- a genuinely scary listen. AB/7A, on the other hand, approaches the pulsing electronics of Kraftwerk or early Yello. ~ Ted Mills
Rovi

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確か、このアルバムの幼女はコージーかジェネシスの娘さんじゃなかったかなぁ?違うかも…ジェネシスはグレイテスヒッツのジャケの裏面でYMOのTシャツを着てなかったっけ?昔は良く中古盤で見かけたけど今は見ないな…TGはインダストリアルというよりノイズ寄りの音なのでTGが好きで他のインダストリアルを聴くと確かに物足りないかも…TGはライブアルバムも聴いてみて欲しい。思いっきりノイズだから…ノイズといえば日本3大ノイズ(独断)のメルツバウ、灰野敬二(ex不失者)、非常階段は要チェックかも…
2007/03/15 QTAROさん
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