Rock/Pop
LPレコード

Thrak<限定盤>

3.3

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8,790
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フォーマット LPレコード
発売日 2019年10月22日
国内/輸入 輸入(イギリス盤)
レーベルPanegyric
構成数 2
パッケージ仕様 -
規格品番 KCLPX13
SKU 633367911315

構成数 : 2枚
合計収録時間 : 00:00:00
King Crimson: Adrian Belew (vocals, guitar); Robert Fripp (guitar, Mellotron, sound effects); Trey Gunn (Chapman stick, background vocals); Tony Levin (acoustic & electric basses, background vocals); Pat Mastelotto, Bill Bruford (percussion). Recorded at Real World Recording Studios, Box, England from October 24 to December 4, 1994. For guitarist-composer Robert Fripp, the visceral power of rock music has always been an inspiration. And since forming King Crimson in the late '60s, few instrumentalists have done more to extend the sonic range of the electric guitar or rock song structure than Robert Fripp. But the guitarist also counts world rhythm musics, 20th Century classical composition, modern jazz and contemporary electronics among his many interests. And with THRAK, Fripp and King Crimson have created their most compelling synthesis of art and noise, a thrashing suite made up of contrasting, interconnected motifs. This groaning beast of an album is fabricated from the roiling roar of dissonance and classic power riffs and animated by a complex series of rhythm changes, opulent lyric contrasts, heady contrapuntal interplay and stunning solo flights. In rethinking his concept of King Crimson, Fripp has reconstituted the band as a double trio, in which Fripp teams with Stick virtuoso Trey Gunn and drummer Pat Mastelotto, while lead vocalist-guitarist Adrian Belew answers back with bassist Tony Levin and electronic percussion innovator Bill Bruford. Together they achieve a rare blend of intuitive power and formal design, from the classic King Crimson rumble of "Vrooom" to the menacing variations of "Dinosaur," on which Belew's Lennonesque vocal echoes Fripp's pride in having avoided extinction, as the band exhumes the bones of the Beatles, Hendrix, Bartok and the late Romantics from their fossil digs. But THRAK offers a wide range of textures and moods. With its bell-like arpeggios and flute-like ornaments, the ragaish "Walking On Air" is as lovely a ballad as Crimson has ever produced. "B'Boom" finds the drummers in an electro-acoustic dialogue, meshing haunting urban-industrial sounds into a ritualistic percussive web of African-styled polyrhythms. The crashing rhythmic cycles of the title tune are an avuncular nod to today's meanderings of noise, while the funky "People" and dreamy "One Time" present song structures ready-made for progressive college programmers. THRAK is a diverse, dynamic, polished recital.

Side A:
1. Vrooom
2. Coda: Marine 475
3. Dinosaur
4. Walking on Air

Side B:
1. B'Boom
2. Thrak
3. Inner Garden I
4. People
5. Radio I

Side C:
1. One Time
2. Radio II
3. Inner Garden II
4. Sex Sleep Eat Drink Dream
5. Vrooom Vrooom
6. Vrooom Vrooom: Coda

Side D:
1. Sex Sleep Eat Drink Dream
2. Cage
3. Thrak
4. When I Say Stop, Continue
5. Inner Garden (complete)

Track 1 - 4 from VROOOM mini-album.
Track 5 from THRAK BOX.

  1. 1.[LPレコード]
  2. 2.[LPレコード]

作品の情報

メイン
アーティスト: King Crimson

オリジナル発売日:1995年

商品の紹介

Rolling Stone (6/29/95, p.43) - 3 Stars - Good - "...With THRAK, King Crimson have re-emerged from the interregnum with their passionate virtuosity grayed but not gone..." Q (5/95, pp.102-104) - 4 Stars - Excellent - "...THRAK expands the quartet's inventiveness with jazz-scented rock structures, characterised by noisy, angular, exquisite (gizmo-drenched) guitar interplay over an athletic, ever-inventive rhythm section." Uncut (10/02, p.107) - 4 stars out of 5 - "...a swaggeringly triumphant testament..." Option (7-8/95, p.114) - "...The sonic results are perfect; one gets a historic feel for the genre, yet it never sounds nostalgic or merely eclectic..." Musician (6/95, pp.69-70) - "...brainiac rock for those with strange urgings at other points in the body....THRAK is full of prickly textures, clench-fisted chords delivered with Glenn Branca-esque intensity, and tough attitudes more than prissy prog-rock notions..."
Rovi

The only progressive rock band from the '60s to be making new, vital, progressive music in the '90s, King Crimson returned from a ten-year exile in 1995 with THRAK, their first album since 1984's Three of a Perfect Pair. As with the '80s band, guitarist/ringleader Robert Fripp recruited singer/guitarist Adrian Belew, bassist Tony Levin, and drummer Bill Bruford for this incarnation of his classic band. However, he added to this familiar quartet two new members: Chapman Stick player Trey Gunn and ex-Mr. Mister drummer Pat Mastelotto. Effectively, Fripp created a "double trio," and the six musicians combine their instruments in extremely unique ways. The mix is very dense, overpoweringly so at times, but careful listens will reveal that each musician has his own place in each song; the denseness of the sound is by design, not the accidental result of too many cooks in the kitchen. Sometimes, as in "THRAK," the two trios are set against each other, in some sort of musical faux combat. In others, they just combine their respective sounds to massive effect. On "Dinosaur," perhaps the strongest track on the record, Mastelotto and Bruford set up an ominous tom-tom groove that supports an even more ominous guitar figure. The vocal, the musings of a long-dead sauropod, are vintage Belew, just as the freaky, falling-down-the-stairs solo in the middle is vintage Fripp. Other high points include the drum duet "B'Boom" and the two Belew/Fripp "Inner Garden" pieces. Allusions to earlier Crimson abounds, such as the form of "VROOM," for example, which is suspiciously reminiscent of "Red" (from the 1974 album of the same name), or the shout-out to "The Sheltering Sky" (from 1981's Discipline) in "Walking on Air." Thankfully, this never gets annoying, but instead acts as a subtle nudge and a wink to faithful fans. King Crimson came back in a major way with THRAK, and proved that, even in its fourth major incarnation, Fripp and company still had something to say. High-quality prog. ~ Daniel Gioffre
Rovi

メンバーズレビュー

6件のレビューがあります
3.3
33%
33%
0%
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33%
「宮殿」、「レッド」 に続く3つ目の名作誕生。

1995年作品。スタジオライヴ・ミニ・アルバム「VROOOM」(1994年)に続いて遂に姿を現したフル・アルバム「THRAK(スラック)」。エイドリアン・ブリューがリードを務める、1980年代クリムゾンに近い編成での復活で、前評判では期待と不安が交錯していたが、結果として、非常に満足行くアルバムに仕上がった。

最大のポイントは、初期の叙情性がある程度復活していること。特に歌モノでメロウな旋律がふんだんに使われている。エイドリアン・ブリューは歴代シンガーの中で一番キーが高く、普通に歌えばクリアな高音の美声シンガー。それがキャッチーで素直なメロディーを歌うため、ポップですらある。

ドラマーとベースが2人居る「ダブル・トリオ」という荒々しい編成はこの際、あまり意識しなくていい。インスト曲のバトルではうなりを上げるリズム隊だが、ヴォーカル曲では意外と大人しくまとめられており、リズムばかりが尖っていた1980年代の姿はない。

ジャズの影響を感じさせる不協和音を効果的に使ったインスト曲は、前評判通りのメタル・クリムゾン振りだし、一転してヴォーカル曲は、描写力の高いメロディーで、どれも良い曲に仕上がっている。のっし、のっしと歩く恐竜を見事にサウンドにした「ダイナソー」、この世の中を動かす歯車=人間を醒めた目で眺める「People」、「宮殿」のダークさをちょっと思わせる小曲「Inner Garden I & II」、浮遊するメロディーがフロイドっぽい「Walking On Air」、そして相反する物を対比した、不思議な歌詞の切ないバラード「One Time」…。

インストだけじゃダメという人でも、これだけポップ・ソングとして良い曲が揃っていれば納得するであろう。既存の壁を常に打ち破ってきたクリムゾンにしては優等生すぎる… 批判したがるファンはそう言うかも知れないが、素直に、良い曲が多い作品だと思う。「宮殿」、「レッド」に続く3つ目の名作が誕生した!と言わせてもらおう。
2024/01/26 E_L_E_G_Yさん
0
三度始動したクリムゾン、90年代初となるアルバムはギター/ベース/ドラム全てがツインという度肝抜く編成!一秒たりとも聴き逃せぬ左右から異なる圧巻のリズムと仕掛けの応酬はとにかく驚愕!!フリップ師匠の思い描いた新たな世界観を、知性溢れる予測不可能のギミックで具現化した問答無用の大傑作!!!
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ミニアルバム「ヴルーム」を経てリリースされた90年代クリムゾンのフルアルバム。よくレッド期と80年代クリムゾンの融合と言われるが7対3でレッド期の音が強い。けしてノスタルジックに陥らず90年代らしい重く鬱な雰囲気はグランジや初期レディオヘッド辺りが好きな人が気にいるかも知れない。ほんとよく以前の音楽性をあっさり捨てれるなと感心する。
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