Country/Blues
LPレコード

Keith Urban<Black Vinyl>

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フォーマット LPレコード
発売日 2019年09月13日
国内/輸入 輸入
レーベルUme/USM
構成数 1
パッケージ仕様 -
規格品番 7794038
SKU 602577940385

構成数 : 1枚
合計収録時間 : 00:46:34
Personnel: Keith Urban (vocals, acoustic & electric guitars, electric sitar, ganjo); Steve Wariner (acoustic & electric guitars, background vocals); Biff Watson (acoustic guitar); Bruce Bouton (steel guitar, dobro); Paul Franklin, (steel guitar); Aubrey Haynie (fiddle, mandolin); Steve Conn (accordion); Matt Rollings (piano, organ, synthesizer, background vocals); Glenn Worf (bass); Chris McHugh (drums, drum loops, percussion); Kim Keyes, Jerry Flowers, Tabitha Fair, Emily Robison, Martie Seidel, Curtis Young (background vocals); The Love Strings. Principally recorded at Javelina Recording Studios, Nashville, Tennessee. "Rollercoaster" was nominated for the 2001 Grammy Award for Best Country Instrumental Performance. Keith Urban is Australian, but listening to his debut self-titled solo CD, you'd swear he was raised somewhere south of the Mason-Dixon line. Just as the Beatles mimicked the American accents of their musical heroes, Urban, the former leader of the group the Ranch, adopts the twang of the country stars he heard growing up Down Under. Urban's brand of country includes soulful vocals; a nice mix of acoustic and steel guitars, banjo, fiddles, and mandolins; and some fine songwriting, from Urban, Steve Wariner, and even two former members of the Go-Gos's (!) The subject here, with few exceptions, is love in all its aspects, from the hooky opening cut, "It's a Love Thing," to the gorgeous ballad "Your Everything," to the Cajun stomp of "I Wanna Be Your Man (Forever)." Urban's excellent guitar playing throughout the CD is tasteful and understated, but adds immeasurably to the arrangements. When he really cuts loose, on the instrumental "Rollercoaster," you can hear why acts like the Dixie Chicks and Garth Brooks tapped him to play on their CDs. Overall, KEITH URBAN offers a taste of what this talented singer, songwriter, and guitarist might do in the future.
エディション : Reissue

  1. 1.[LPレコード]

    【A面】

    1. 1.
      It's A Love Thing
    2. 2.
      Where The Blacktop Ends
    3. 3.
      But For The Grace Of God
    4. 4.
      Your Everything
    5. 5.
      I Wanna Be Your Man (Forever)
    6. 6.
      A Little Luck Of Our Own
  2. 1.[LPレコード]

    【B面】

    1. 1.
      You're The Only One
    2. 2.
      If You Wanna Stay
    3. 3.
      Don't Shut Me Out
    4. 4.
      Out On My Own
    5. 5.
      Rollercoaster
    6. 6.
      I Thought You Knew

作品の情報

メイン
アーティスト: Keith Urban

商品の紹介

Keith Urban's solo debut for American audiences (released after the breakup of his former group, the Ranch) may seem a bit quaint now that he's become a superstar. But back in 1997 when this album was released, Urban looked like a fresh-faced kid who was entering the U.S. market as a virtual unknown. Truth is, he made his recording debut in his native Australia in 1991, and had been on the radar of Nashville's A&R men for years. This album proves why. There are four Urban originals here, each one showcasing his knack for writing in numerous styles that all fit into the expanding country radio format. He could marry a rock tune or pop ballad to a country melody, set it off with just the right amount of heartfelt emotion, and lace it with appropriate production, whether it be playing the banjo or adding strings to the mix. He and co-producer Matt Rollings also selected a mostly winning combination of tunes to fill the remainder of the disc, including Monty Powell's fiddle drenched barnstormer "It's a Love Thing," Charlotte Caffey's mid-tempo ballad "But for the Grace of God," and "Rollercoaster," which marked Urban's first signal towards the contemporary country community that he wasn't just a pretty face who could sing. The track is a guitar scorcher from top to bottom, with Urban playing guitar like he was Randy Scruggs' younger brother, flat picking his Stratocaster like it was another extremity he was born with. This and other such moments balance the slick and sometimes too-soft production on the record; as such, the album marks the true root of his sound as a major artist wetting his feet. ~ Thom Jurek
Rovi

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