Norman Fucking Rockwell

孤高の表現を貫くシンガー・ソングライター、ラナ・デル・レイ。
2度目の全米1位を獲得した『ラスト・フォー・ライフ』の続く、2年振り6枚目のオリジナル・アルバム。
テイラー・スウィフトやセイント・ヴィンセントの作品でグラミー賞を受賞したプロデューサーのジャック・アントノフが、制作に深くかかわっている。

With the creation of her Lana Del Rey persona, singer/songwriter Lizzy Grant stitched together the iconography of a fading American dream with soaring but melancholic pop songwriting, becoming an icon unto herself in the process. Her distinctive approach blurred sadness and longing just as it did past and present, drawing on the influence of classic American pop while integrating modernized touches like trap beats and millennial cultural references. With sixth album Norman Fucking Rockwell!, Lana Del Rey expands her vision with the most daring and vulnerable work of her catalog. One of the first noticeable shifts is how subtle the albums sound is. Where 2017s Lust for Life had its share of huge drums and booming dynamics, many songs here are free of drums completely and tend towards far more solitary atmospheres. A strong classic rock influence comes through on many songs, with the softly building pianos and acoustic guitars on tracks like Mariners Apartment Complex or the apocalyptic The Greatest sounding like the best of 70s FM radio reworked around Grants smoldering, exhausted vocals. Even though Stevie Nicks witchy mystique has long been a reference point for LDR, this particular brand of classic rock -- silky guitar solos, compressed drum fills, and lingering, mournful outros -- is unlike anything shes attempted before. The most exciting aspects of Norman Fucking Rockwell! come in these unexpected moments. A faithful reading of Sublimes Doin Time contorts to fit Grants moody approach, becoming an extension of her own expression rather than a goofy, ironic cover. Where huge pop hooks met eerie melodrama on previous albums, here both extremities of that formula have grown more understated and direct. Venice Bitch is the best example of this. The nine-minute song begins with gentle strings and soft, hopeful melodies but winds into a long, meditative stretch where synth textures and hypnotic repeating vocals bleed into walls of noisy guitars. While much of her older material reveled in its own inconsolable sadness and detached numbness, the lush sonics and intimate narratives of Norman Fucking Rockwell! draw out hope from beneath desolate scenes. The patient flow, risky songwriting choices, and mature character of the album make it the most majestic chapter of Lana Del Reys continuing saga of love and disillusionment under the California Sun. ~ Fred Thomas

ジャック・アントノフとラナ自身が中心になって制作された新作は、前作のモダンなアプローチはそのままに、彼女自身のルーツであるレトロ要素をより色濃く反映させることに成功している。クラシカルなソングライティングに、硬質なビートや分離のいいタイトな鳴りといった現代的なプロダクションで、重厚な世界感の中にも風通しの良さを実現。また、その詞世界もよりいっそうの洗練を見せている。
bounce (C)保坂隆純