Workin'＜限定盤＞

構成数 : 1枚
合計収録時間 : 00:00:00
Miles Davis Quintet: Miles Davis (trumpet); John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (acoustic bass); Philly Joe Jones (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 11 & October 26, 1956. Originally released on Prestige (7166). Includes liner notes by Jack Maher. Miles Davis Quintet: Miles Davis (trumpet); John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (acoustic bass); Philly Joe Jones (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 11 & October 26, 1956. Originally released on Prestige (7166). Includes liner notes by Jack Maher. Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. Miles Davis Quintet: Miles Davis (trumpet); John Coltrane (tenor saxophone); Red Garland (piano); Paul Chambers (acoustic bass); Philly Joe Jones (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 11 & October 26, 1956. Originally released on Prestige (7166). Includes liner notes by Jack Maher. Digitally remastered using 20-bit K2 Super Coding System technology. WORKIN' WITH THE MILES DAVIS QUINTET is a grab-bag of different moods culled from the 26 sides Miles cut in two final marathon sessions for Prestige on May 11 and October 26, 1956. From this stock of magnificent performances, Prestige also issued RELAXIN' and STEAMIN'. WORKIN' is notable for the bittersweet reverie of "It Never Entered My Mind," one of the most beautiful ballads Miles ever recorded. Red Garland's rippling second theme and bell-like intermezzo set off Miles' muted melody in sharp relief; Miles' poignant, breathy timbre and weightless phrasing is sheer poetry. But WORKIN' plumbs a variety of moods and grooves. Philly Joe Jones' dancing polyrhythms set the mood for Miles' famous lines "Four" and "Half Nelson." By now, Miles' work with the open horn is a product of his own aesthetic, distinguished by a thoughtful use of space, meticulous note placement and a variety of expressive brass shadings. By editing the more technocratic aspects of his line, Miles has arrived at a lighter, cooler, more personal style of phrasing. And now even the relentlessly forceful Coltrane exhibits greater patience and melodic focus. Musical treats abound. There are two delightful takes of Miles' coy, bluesy trademark "The Theme" and a funky statement of "Trane's Blues" (aka "Vierd Blues"). "Ahmad's Blues" is a low-down, after-hours feature for pianist Red Garland (who is not often accorded the credit he deserves for developing this cosmopolitan lyric style), featuring Paul Chambers' remarkable bow work. A perfect jazz band.
エディション : RVG