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| フォーマット | CDアルバム |
| 発売日 | 2019年09月13日 |
| 国内/輸入 | 輸入 |
| レーベル | Warp Records/Duophonic UHF Disks |
| 構成数 | 2 |
| パッケージ仕様 | - |
| 規格品番 | DUHFCD23R |
| SKU | 5060384616186 |
構成数 : 2枚
合計収録時間 : 00:00:00
Stereolab includes: Laetitia Sadier (vocals); Tim Gane (guitar).
After an ear-pricking opening ("Fuses") peppered with hints of Art Ensemble of Chicago-like percussive free jazz, it's business as usual for Stereolab. For 1997's DOTS AND LOOPS, the group took cues from Mouse on Mars and Tortoise and assembled its distinctive synth whooshes and intricate but perfectly polished pop via hard-disc. COBRA brings performance back into play, with post-production duties split between High Llamas maestro Sean O'Hagan and Chicago avant-garde poster boys Jim O'Rourke and John McEntire. Stereolab makes their job easy by providing some of its most ambitious, sophisticated, yet unfailingly poppy compositions yet.
A few more shockers in line with "Fuses" would have been welcome, but myriad small surprises and instantly addictive melodies substitute for the usual more startling changes in direction. "Italian Shoes/Continuum" stirs up Stereolab's space age Moog-music to a Euro prog-rock frenzy. The vibe-alicious "The Free Design" pays tribute to the baroque choral-pop of the lost '70s legends. On such marathon excursions as "Blue Milk" and "Caleidoscopic Gaze," Stereolab packs ideas--not to mention funky analog workouts, subtle breakbeats, and chiming guitars--into every turn. Throughout, wall-to-wall counterpoint harmonies, Sadier/Gane's classy Continental songcraft, punchy horns, and O'Rourke's slightly woozy string arrangements make for an endlessly enchanting 75 minutes.
エディション : Reissue、Remaster
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