Kings Left Behind

構成数 : 1枚
合計収録時間 : 00:36:33
Personnel: Robin Schmidt (guitar); Adriana Molello (violin); Melody Giron (cello); Michael Buckley (flute, saxophone); Jason Colby (trumpet); Nadav Nirenberg (trombone, euphonium, piano); Eric Finland (electric piano, Wurlitzer piano, Hammond b-3 organ, Wurlitzer organ); Barnaby Alter (drums); Dave Bourla (congas, bongos). Audio Mixer: Jim Bertini. Recording information: Hive Mind Recording, Brooklyn, NY; Thump, Brooklyn, NY; Thump, Brooklyn, NY. Photographer: Roberto Ragno. Arranger: Ikebe Shakedown. New York septet Ikebe Shakedown play what they refer to as "cinematic instrumental soul," which amounts to a thick, steamy brew of retro funk, psychedelic rock, and soundtracks ranging from Spaghetti Westerns to blaxploitation flicks. The group's compositions almost always include galloping drums and hand percussion, hot horns, and simmering organ, along with additional touches such as surf guitar licks and string arrangements. Kings Left Behind is their fourth full-length, and the first taped at Hive Mind Recording, a Brooklyn-based studio built and operated by two of the band's members, bassist Vince Chiarito and saxophonist Michael Buckley. Compared to the group's past efforts, Kings Left Behind doesn't seem to utilize quite as much echo or other trippy effects, and it seems a bit classier and more sophisticated. While Afrobeat will always be at the backbone of the band's sound, particularly their polyrhythmic drumming, it's never really been accurate to refer to them as a revival act of the genre. The unit specializes in concise tunes rather than extended, hypnotic jams, and slightly more so than past albums, this one plays like a collection of imaginary theme songs. While generally sounding cool, relaxed, and funky, there's more of a dramatic edge to tracks like "Unqualified" and "Hammer Into Anvil," and a slight icing of strings add tension to "Not Another Drop" and the slower, breezier "Over My Head." "Horses" slows things down even more, with solemn trumpet taking the lead on top of a sparse rhythm which emerges out of lapping ocean waves. The album's title track is perhaps the most bittersweet piece the band has ever recorded, yet even though it sounds like the end of a long, close relationship, it still retains a sense of optimism. ~ Paul Simpson