Rock/Pop
カセットテープ

Falling

0.0

販売価格

¥
2,490
税込
還元ポイント

販売中

お取り寄せ
発送目安
14日~35日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

フォーマット カセットテープ
発売日 2020年01月01日
国内/輸入 輸入
レーベルSub Pop
構成数 1
パッケージ仕様 -
規格品番 HARCS115
SKU 098787311549

構成数 : 1枚
合計収録時間 : 00:00:00
The Pacific Northwest-based trio Dude York hit the punk-pop jackpot with their 2017 album Sincerely. They added bassist/vocalist Claire England to the lineup, added some punch to their sound, and wrote a batch of songs that hit the sweet spot between heartache and joy, soundtracked by giddy voices and riffy guitars. It was a fine formula and it didn't need to change for them to make another strong record. Things did change, though, and on 2019's Falling the group tweak their style in ways big and small, while ultimately proving equally impressive in the end. Maybe even a little more satisfying. The biggest alteration was having England write and sing half the songs. She provided two of the highlights on Sincerely, adding some open-hearted sincerity and big hooks to the mix. She does the same here, and her half of the record is stadium-sized emo pop, full of earnest lyrics about falling in and out of love, sky-scraping guitars, and her brightly hued vocals. Her contributions -- like the hard-charging "I'm the 1 4 U" and "Unexpected," or the insistent "Let Down" -- are brimming with energy and have a joyous sense of freedom that comes through in her vocals and the rippling guitar and power-packed drumming. On the flip side, it sounds like guitarist Peter Richards had a rough stretch in between records. His songs are heartbroken and desperate, with the guitars dialed down and subtle keyboards added. His vocals are one tear-stained step past melancholy, and even the addition of England's harmonies can't break through the gloom. The combination of quietly layered arrangements and super-sad lyrics mean that his half is way less Weezer and much more Cure-inspired. Many of the songs capture the same resigned and beautiful melancholy that permeates the mid-period work of Shout Out Louds. His melodies and vocals take on the weight that England's have cast off; tracks like "Only Wish" and the Ramones-quoting "How It Goes" are dark, and the title of "Doesn't Matter" provides a solid clue as to his state of mind. Dude York prove just as adept at these more subdued and sad songs as they do at the up-tempo rockers, and the blending of the two styles and tones makes for a fascinating record. It's certainly more complicated, both musically and emotionally, and shows the band growing in interesting ways. The cut and paste of wildly different moods and sounds might cause the group to split in two in the future, but on Falling the bond holds tight. ~ Tim Sendra

  1. 1.[カセットテープ]
    1. 1.
      Longest Time
    2. 2.
      Box
    3. 3.
      I'm the 1 4 U
    4. 4.
      Should've
    5. 5.
      Only Wish
    6. 6.
      Unexpected
    7. 7.
      How It Goes
    8. 8.
      Falling
    9. 9.
      Doesn't Matter
    10. 10.
      Let Down
    11. 11.
      :15
    12. 12.
      Making Sense
    13. 13.
      DGAFAF (I Know What's Real)

作品の情報

メイン
アーティスト: Dude York

オリジナル発売日:2019年

商品の紹介

Paste (magazine) - "Listening to Dude York's latest power pop album, the Seattle band's fourth to date, sends teenage pangs through your heart that remind us how intense and overwhelming every crush or heartbreak used to be (or still is)."
Rovi

The Pacific Northwest-based trio Dude York hit the punk-pop jackpot with their 2017 album Sincerely. They added bassist/vocalist Claire England to the lineup, added some punch to their sound, and wrote a batch of songs that hit the sweet spot between heartache and joy, soundtracked by giddy voices and riffy guitars. It was a fine formula and it didn't need to change for them to make another strong record. Things did change, though, and on 2019's Falling the group tweak their style in ways big and small, while ultimately proving equally impressive in the end. Maybe even a little more satisfying. The biggest alteration was having England write and sing half the songs. She provided two of the highlights on Sincerely, adding some open-hearted sincerity and big hooks to the mix. She does the same here, and her half of the record is stadium-sized emo pop, full of earnest lyrics about falling in and out of love, sky-scraping guitars, and her brightly hued vocals. Her contributions -- like the hard-charging "I'm the 1 4 U" and "Unexpected," or the insistent "Let Down" -- are brimming with energy and have a joyous sense of freedom that comes through in her vocals and the rippling guitar and power-packed drumming. On the flip side, it sounds like guitarist Peter Richards had a rough stretch in between records. His songs are heartbroken and desperate, with the guitars dialed down and subtle keyboards added. His vocals are one tear-stained step past melancholy, and even the addition of England's harmonies can't break through the gloom. The combination of quietly layered arrangements and super-sad lyrics mean that his half is way less Weezer and much more Cure-inspired. Many of the songs capture the same resigned and beautiful melancholy that permeates the mid-period work of Shout Out Louds. His melodies and vocals take on the weight that England's have cast off; tracks like "Only Wish" and the Ramones-quoting "How It Goes" are dark, and the title of "Doesn't Matter" provides a solid clue as to his state of mind. Dude York prove just as adept at these more subdued and sad songs as they do at the up-tempo rockers, and the blending of the two styles and tones makes for a fascinating record. It's certainly more complicated, both musically and emotionally, and shows the band growing in interesting ways. The cut and paste of wildly different moods and sounds might cause the group to split in two in the future, but on Falling the bond holds tight. ~ Tim Sendra
Rovi

シアトルの男女混成トリオが奏でるのは、青春! それはこの4枚目のアルバムでも変わらない。日本だったらきっと名字を呼び捨てし合っているだろう男女平等感覚は、まさにこのレーベルらしい90sオルタナの申し子と言えるが、ガレージ・ロックンロールの魅力も合わせ持つところがなんともアメリカン。男女ハーモニーの甘酸っぱさは格別。むやみにチョーキングで唸らせるギターもエモい。
bounce (C)山口智男
タワーレコード(vol.430(2019年8月25日発行号)掲載)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。