Rock/Pop
LPレコード

The Space Between the Shadows

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フォーマット LPレコード
発売日 2019年07月19日
国内/輸入 輸入
レーベルNapalm
構成数 1
パッケージ仕様 -
規格品番 84058812298
SKU 840588122981

構成数 : 1枚
合計収録時間 : 00:00:00
In the years following his second solo album, 2013's Proof of Life, Scott Stapp went through a very public breakdown stemming from addiction and mental health issues. During recovery, he briefly joined the band Art of Anarchy and sang on their 2017 release, The Madness, before exiting so he could redirect his attention to his health and solo career. Searching within and emerging in a more centered state, he issued his third LP, The Space Between the Shadows. Much like past work, Stapp leans heavily on his faith and identity, with tortured lyrics centered around both despair and redemption. While there isn't much finesse in his poetry, his message is clearly delivered in that signature baritone that still lands like an emotional wallop to the soul. Sober, humble, and surprisingly vulnerable, Shadows borrows from familiar sources, such as Alice in Chains, Soundgarden, Stone Temple Pilots, and Godsmack. Hard-charging riffs, meaty growls, and plenty of Stapp's theatrics should please old Creed diehards, but at the same time, his newfound maturity and outlook on life are extremely relatable for anyone dealing with life's struggles or recovery. Coming to terms with childhood trauma ("Purpose for Pain," "Name"), seeking redemption ("Heaven in Me," "Survivor," "Wake Up Call"), and choosing optimism ("Ready to Love," "Last Hallelujah") are common themes that offer the best moments on Shadows, while brief dips into the worldly and political ("World I Used to Know," "Mary's Crying") are sweeping but somewhat clunky in their lyrical execution. In a similar vein, "Gone Too Soon" eulogizes Stapp's late contemporaries Chris Cornell and Chester Bennington in schmaltzy fashion, a U2-sized power ballad that manages to overcome the corniness with an earnest reflection on his own mortality and the realization that he might have had a similar fate. Setting cynicism aside, The Space Between the Shadows is inspirational and powerful, bound to connect with listeners who need to hear this message and feel empowered by a kindred spirit like Stapp who has made it through the darkness and emerged into the light. ~ Neil Z. Yeung

  1. 1.[LPレコード]
    1. 1.
      World I Used to Know
    2. 2.
      Name
    3. 3.
      Purpose for Pain
    4. 4.
      Heaven in Me
    5. 5.
      Survivor
    6. 6.
      Wake Up Call
    7. 7.
      Face of the Sun
    8. 8.
      Red Clouds
    9. 9.
      Gone Too Soon
    10. 10.
      Ready to Love
    11. 11.
      Mary's Crying
    12. 12.
      Last Hallelujah

作品の情報

メイン
アーティスト: Scott Stapp

オリジナル発売日:2019年

商品の紹介

In the years following his second solo album, 2013's Proof of Life, Scott Stapp went through a very public breakdown stemming from addiction and mental health issues. During recovery, he briefly joined the band Art of Anarchy and sang on their 2017 release, The Madness, before exiting so he could redirect his attention to his health and solo career. Searching within and emerging in a more centered state, he issued his third LP, The Space Between the Shadows. Much like past work, Stapp leans heavily on his faith and identity, with tortured lyrics centered around both despair and redemption. While there isn't much finesse in his poetry, his message is clearly delivered in that signature baritone that still lands like an emotional wallop to the soul. Sober, humble, and surprisingly vulnerable, Shadows borrows from familiar sources, such as Alice in Chains, Soundgarden, Stone Temple Pilots, and Godsmack. Hard-charging riffs, meaty growls, and plenty of Stapp's theatrics should please old Creed diehards, but at the same time, his newfound maturity and outlook on life are extremely relatable for anyone dealing with life's struggles or recovery. Coming to terms with childhood trauma ("Purpose for Pain," "Name"), seeking redemption ("Heaven in Me," "Survivor," "Wake Up Call"), and choosing optimism ("Ready to Love," "Last Hallelujah") are common themes that offer the best moments on Shadows, while brief dips into the worldly and political ("World I Used to Know," "Mary's Crying") are sweeping but somewhat clunky in their lyrical execution. In a similar vein, "Gone Too Soon" eulogizes Stapp's late contemporaries Chris Cornell and Chester Bennington in schmaltzy fashion, a U2-sized power ballad that manages to overcome the corniness with an earnest reflection on his own mortality and the realization that he might have had a similar fate. Setting cynicism aside, The Space Between the Shadows is inspirational and powerful, bound to connect with listeners who need to hear this message and feel empowered by a kindred spirit like Stapp who has made it through the darkness and emerged into the light. ~ Neil Z. Yeung
Rovi

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