Soul/Club/Rap
LPレコード

Up For The Down Stroke<限定盤>

5.0

販売価格

¥
3,490
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2019年07月30日
国内/輸入 輸入(アメリカ盤)
レーベルMercury
構成数 1
パッケージ仕様 -
規格品番 B002995801
SKU 602577513602

構成数 : 1枚
合計収録時間 : 00:39:36
Though the heavier, harder, and more psychedelic Funkadelic was George Clinton's main outfit in the early '70, the creation of Parliament (named for Clinton's '60s soul group, The Parliaments, which included many core members of Parliament/Funkadelic) is at least as important in the history of P-Funk. In contrast to Funkadelic's acid-rock freak-outs, Parliament emphasizes vocals and horn riffs while highlighting tunes and melodies. Early efforts of the brilliantly creative songwriting team of George Clinton, Bootsy Collins, and Bernie Worrell (who would achieve apotheosis on MOTHERSHIP CONNECTION) are on display here. Many of these tracks are textured, psychedelicized rewrites of such Parliament songs as "(I Just Wanna) Testify," the group's first #1 hit. The deeply soulful, multi-part vocal version of this track is pure genius and is arguably the album's highlight. The title cut--another hit for the band--is one of Parliament's most infectious booty-movers, and it would be a staple of their live acts for years to follow. While not essential, UP FOR THE DOWN STROKE is an interesting peek at the beginnings of funk's finest ensemble.

  1. 1.[LPレコード]
    1. 1.
      Up for the Down Stroke
    2. 2.
      Testify
    3. 3.
      The Goose
    4. 4.
      I Can Move You (If You Let Me)
    5. 5.
      I Just Got Back
    6. 6.
      All Your Goodies Are Gone
    7. 7.
      Whatever Makes Baby Feel Good
    8. 8.
      Presence of a Brain

作品の情報

メイン
アーティスト: Parliament

商品の紹介

Kicking off with one of prime funk's purest distillations -- the outrageously great title track, with a perfect party chorus line and uncredited horns (presumably the Horny Horns were involved somehow) adding to the monster beat and bass -- Up for the Down Stroke finds Parliament in rude good health. As was more or less the case through the '70s, Parliament took a slightly more listener-friendly turn here than they did as Funkadelic, but often it's a difference by degrees. Just listening to some of Bernie Worrell's insane keyboard parts or Bootsy Collins' bass work here is enough to wake the dead. As always, Worrell in particular can suddenly surprise with his delicacy -- the soft, understated flow of "I Just Got Back" may have lyrics that could be sung by Jon Anderson, at least at points, but the piano lines have subtle, dreamy grace, the antithesis of Rick Wakeman's masturbations. For that matter, Peter Chase's whistles are downright delightful, goofy, and sweet all at once. Slightly more oddball is "All Your Goodies Are Gone," which has a bit more upfront bite and some downright strange lyrics, delivered with a stoned, breathless tone and backed by unearthly choir arrangements. Eddie Hazel is still listed as present and contributing, though unfortunately not for long after, with Ron Bykowski, Gary Shider, and William Nelson also chipping in as needed. Hazel co-writes two of the songs; it's a pity "The Goose" runs out of steam toward the midpoint of its nine minutes, but it makes for pleasant background music if not Parliament at its unfettered best. In the meantime, Clinton and various familiar voices like Fuzzy Haskins and Grady Thomas keep the weird wigginess of the lyrics flowing. In a nod to the group's past, "(I Wanna) Testify," here simply called "Testify," gets a 1974-era work over. ~ Ned Raggett
Rovi

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まるでショッカー一味のようなケバいコスチューム趣味(笑)。しかも後年の売りが“対決シリーズ”。......CTRからジョン・エサリッジ&リック・サンダースの“2nd VISION”じゃなくて(笑)、サイモン・フィンの“PASS THE DISTANCE”が近いうち?発売されるそうな。
2009/07/15 Nishaさん
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