Jazz
LPレコード

Inception

5.0

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フォーマット LPレコード
発売日 2019年07月02日
国内/輸入 輸入
レーベルVerve
構成数 1
パッケージ仕様 -
規格品番 7757390
SKU 602577573903

構成数 : 1枚
合計収録時間 : 00:32:44
Personnel: McCoy Tyner (piano); Art Davis (bass); Elvin Jones (drums). Producer: Bob Thiele. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 10-11, 1962. Originally released as Impulse (39). Includes liner notes by Nat Hentoff. Digitally remastered by Erick Labson (MCA Music Media Studios). The aptly titled INCEPTION is the astounding session that introduces great pianist McCoy Tyner as a leader. After a successful tenure with Benny Golson and Art Farmer's Jazztet and at the beginning of his membership in John Coltrane's quartet, Tyner was primed for what would become a lengthy series of stunning recordings under his own name. Though only in his mid-'20s, Tyner plays with a power and confidence that bespeaks his musical maturity. Completing the trio is the mighty bassist Art Davis and the uncanny drumming powerhouse known as Elvin Jones, Tyner's bandmate from the Coltrane group. From the opening title track, the trio plays with a forceful drive, propelled by Jones' strong polyrhythmic drumming and Tyner's muscular technique. Only two standards were recorded for the session-the swinging "There Is No Greater Love" and "Speak Low," which is given a fiery reading to close the set. Tyner's original works are the main focus, however, and the jaunty "Blues For Gwen" and the delightful "Sunset" are both highlights. In all, this session is a true classic in the piano trio format and a particularly special recording of one of the instrument's most celebrated masters.

  1. 1.[LPレコード]
    1. 1.
      Inception
    2. 2.
      There Is No Greater Love
    3. 3.
      Blues For Gwen
    4. 4.
      Sunset
    5. 5.
      Effendi
    6. 6.
      Speak Low

作品の情報

メイン
アーティスト: McCoy Tyner

商品の紹介

ジャズ・ピアノの重鎮、マッコイが23歳の時に残したファースト・アルバム。
1961年録音作品。コルトレーン・カルテットの同僚、エルヴィン・ジョーンズのプレイも見事。
発売・販売元 提供資料(2019/06/03)

JazzTimes (10/97, pp.108-110) - "Arguably...Tyner ranks as the most influential pianist to emerge since the mid-1950s...McCoy plays wonderfully..."
Rovi

Those familiar with the dense, percussive style that pianist McCoy Tyner has cultivated since the 1970s onwards may be surprised by what they hear on Inception. Like Reaching Fourth and Nights of Ballads and Blues, this album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style. The choice of material is fairly evenly split between modal pieces like "Inception" and more harmonically involved tunes like "Speak Low," and the pianist's treatment of both demonstrates the extent to which his early work was rooted in bebop. Tyner had yet to develop the massive orchestral sound and highly distinctive vocabulary of modal licks that would mark his later style, and throughout this album he spins dizzyingly long and singing lines with an exquisitely light touch. The irresistible rush of forward momentum that he maintains on tracks like "Effendi" and "Blues for Gwen" is breathtaking, and there is an exuberant, almost athletic quality to much of his solo work. Bassist Art Davis and drummer Elvin Jones provide superb accompaniment throughout, and they lay a solid rhythmic foundation for Tyner's sparkling melodic flights. The pianist's penchant for drama, which asserts itself more strongly in his later work, is on brief display in the original ballad "Sunset"; his skills as an arranger, though evident on several tracks, are perhaps best illustrated by the intricate contrapuntal treatment of "There Is No Greater Love." ~ Alexander Gelfand
Rovi

メンバーズレビュー

9件のレビューがあります
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マッコイ・タイナー、1962年インパルス・レーベルのリリースで初リーダー作。共演者はベースがアート・デイヴィス、ドラムがエルヴィン・ジョーンズ。この時期コルトレーンのバンドに在籍していたが、満を持してピアノ・トリオに挑む。ここでは初々しくも謙虚で真摯なジャズの本質のを弾いている。初期のマッコイにこそ本来のジャズ・ピアニストとしての資質を垣間見ることができる。
0
マッコイ・タイナー、1962年インパルス・レーベルのリリースで初リーダー作。共演者はベースがアート・デイヴィス、ドラムがエルヴィン・ジョーンズ。この時期コルトレーンのバンドに在籍していたが、満を持してピアノ・トリオに挑む。ここでは初々しくも謙虚で真摯なジャズの本質のを弾いている。初期のマッコイにこそ本来のジャズ・ピアニストとしての資質を垣間見ることができる。
0
マッコイ・タイナー、1962年インパルス・レーベルのリリースで初リーダー作。共演者はベースがアート・デイヴィス、ドラムがエルヴィン・ジョーンズ。この時期コルトレーンのバンドに在籍していたが、満を持してピアノ・トリオに挑む。ここでは初々しくも謙虚で真摯なジャズの本質のを弾いている。初期のマッコイにこそ本来のジャズ・ピアニストとしての資質を垣間見ることができる。
0

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