Rock/Pop
CDアルバム

I Am The Last Of That Green & Warm-Hued World

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フォーマット CDアルバム
発売日 2019年06月16日
国内/輸入 輸入
レーベルHausu Mountain
構成数 1
パッケージ仕様 -
規格品番 HAUS882
SKU 634457819924

構成数 : 1枚
合計収録時間 : 01:18:50
On his first Hausu Mountain release, M. Geddes Gengras builds a synthetic audio world to soundtrack the lonely deserted island paradise of your dreams. This is the most organic-sounding drone work he's recorded yet, with distant percussion throbbing away inside the lush, drifting synth textures, and little discernable difference between electronic and acoustic elements. Opening piece "Zoltan" faintly resembles a more new age version of some of Gengras' earlier work as part of the band Pocahaunted, and then "The Pump at the Way Station" is closer to Projekt-style ethereal space music, with dark, resounding echo chords and splashes of electro-acoustic ripples. Things start to get a bit more broken and prickly around "Cellar / Oracle," where crusty glitches and a fluttering Casio bossa nova-style beat wash over each other. "Passage Under the Mountains" evolves from the previous piece into a sort of backwards techno vortex. Much of the album achieves a strange balance between tranquility and intensity; it can seem relaxed and unhurried, but there are always strange noises dripping or scratching away, and there's no complete assurance that everything is safe. This keeps the album exciting and unpredictable, and sets it apart from most music categorized as ambient. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      Zoltan
    2. 2.
      The Pump at the Way Station
    3. 3.
      Cellar / Oracle
    4. 4.
      Passage Under the Mountains
    5. 5.
      The Drawing

作品の情報

メイン
アーティスト: M. Geddes Gengras

商品の紹介

On his first Hausu Mountain release, M. Geddes Gengras builds a synthetic audio world to soundtrack the lonely deserted island paradise of your dreams. This is the most organic-sounding drone work he's recorded yet, with distant percussion throbbing away inside the lush, drifting synth textures, and little discernable difference between electronic and acoustic elements. Opening piece "Zoltan" faintly resembles a more new age version of some of Gengras' earlier work as part of the band Pocahaunted, and then "The Pump at the Way Station" is closer to Projekt-style ethereal space music, with dark, resounding echo chords and splashes of electro-acoustic ripples. Things start to get a bit more broken and prickly around "Cellar / Oracle," where crusty glitches and a fluttering Casio bossa nova-style beat wash over each other. "Passage Under the Mountains" evolves from the previous piece into a sort of backwards techno vortex. Much of the album achieves a strange balance between tranquility and intensity; it can seem relaxed and unhurried, but there are always strange noises dripping or scratching away, and there's no complete assurance that everything is safe. This keeps the album exciting and unpredictable, and sets it apart from most music categorized as ambient. ~ Paul Simpson|
Rovi

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