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Hommages

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フォーマット CDアルバム
発売日 2019年07月11日
国内/輸入 輸入
レーベルCrepuscule
構成数 1
パッケージ仕様 -
規格品番 TWI027CD
SKU 708527190180

構成数 : 1枚
合計収録時間 : 00:00:00
Occupying a tenuous position between his early masterworks for the Obscure label and his later, generally blander, albums recorded for ECM and Point, Gavin Bryars' Hommages offers a tantalizing glimpse of a direction not taken. The four pieces are scored for as many as three pianos and percussion (including vibes and marimba), which are used to paint sonic images at once rigorous and dreamy. Bryars leaves no written clue as to who these homages are inspired by, but one hears echoes of Erik Satie and Percy Grainger and one in small section the rhythmic motif is clearly derived from the "Mars" portion of Holst's The Planets. There tends to be a relatively steady minimalist pulse underneath the compositions, but above it the chords float and linger and the pulse itself occasionally hesitates, as if considering other options, before moving on. The overall atmosphere is one of purposeful calm tinged with Bryars' trademark melancholy. A very beautiful record; one could have only hoped that the composer would have continued along this path. Highly recommended. ~ Brian Olewnick
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      My First Homage
    2. 2.
      The English Mail-Coach
    3. 3.
      The Vespertine Park
    4. 4.
      Hi Tremolo
    5. 5.
      Out of Zaleski's Gazebo
    6. 6.
      Danse Dieppoise

作品の情報

メイン
アーティスト: Gavin Bryars

商品の紹介

Occupying a tenuous position between his early masterworks for the Obscure label and his later, generally blander, albums recorded for ECM and Point, Gavin Bryars' Hommages offers a tantalizing glimpse of a direction not taken. The four pieces are scored for as many as three pianos and percussion (including vibes and marimba), which are used to paint sonic images at once rigorous and dreamy. Bryars leaves no written clue as to who these homages are inspired by, but one hears echoes of Erik Satie and Percy Grainger and one in small section the rhythmic motif is clearly derived from the "Mars" portion of Holst's The Planets. There tends to be a relatively steady minimalist pulse underneath the compositions, but above it the chords float and linger and the pulse itself occasionally hesitates, as if considering other options, before moving on. The overall atmosphere is one of purposeful calm tinged with Bryars' trademark melancholy. A very beautiful record; one could have only hoped that the composer would have continued along this path. Highly recommended. ~ Brian Olewnick|
Rovi

Occupying a tenuous position between his early masterworks for the Obscure label and his later, generally blander, albums recorded for ECM and Point, Gavin Bryars' Hommages offers a tantalizing glimpse of a direction not taken. The four pieces are scored for as many as three pianos and percussion (including vibes and marimba), which are used to paint sonic images at once rigorous and dreamy. Bryars leaves no written clue as to who these homages are inspired by, but one hears echoes of Erik Satie and Percy Grainger and one in small section the rhythmic motif is clearly derived from the "Mars" portion of Holst's The Planets. There tends to be a relatively steady minimalist pulse underneath the compositions, but above it the chords float and linger and the pulse itself occasionally hesitates, as if considering other options, before moving on. The overall atmosphere is one of purposeful calm tinged with Bryars' trademark melancholy. A very beautiful record; one could have only hoped that the composer would have continued along this path. Highly recommended. ~ Brian Olewnick
Rovi

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